Michel Sluysmans

"I don't have much longer to live, son." In this alternately endearing and absurdist sketch, a bachelor desperately tries to fulfill his mother's last wish: to become a grandma.

Amsterdam, Netherlands, 1944, during World War II. Andries Riphagen, a powerful underworld boss, has made his fortune by putting his many criminal talents at the service of the Nazi occupiers. But the long battle is about to end and the freedom fighters, who have been persecuted and murdered for years, are abandoning their hideouts to mercilessly hunt down those who have collaborated with the killers.

A lonely widower finds himself facing both his devout Calvinist village community and his own deepest regrets when he takes a deranged vagrant into his home.

The year is 2040. Large parts of the Netherlands have been flooded and millions of people have sought refuge in Limburg; the last refuge where everyone hopes for a new life as they knew it. But nothing is left to chance in this sanctuary. Doctor Frank (Bruno Vanden Broecke), the gene doctor, helps you find the ideal child with the best genes and brains. And Alecto (Angela Schijf), an all-controlling, self-learning artificial intelligence, is always helpful in all decisions. From lunch to love, it's best to leave your affairs to Alecto. This new world offers the perfect relationship with a partner exactly as we dream of him or her, and even the sex is better in virtual rooms. But how do you find your own way when everything is based on data, coincidence no longer exists and the role of humans seems to be becoming less and less important?

With his familial bookshop on the verge of bankruptcy, Simon finds himself retreating more and more to his cabin in the woods. After witnessing the suicide of a stranger, a childhood trauma involving his bullied best friend resurfaces and he withdraws even further into the past, estranging himself from his wife and his responsibilities. The only glimmer of hope is a young girl who needs help with her book review. But there is more to the girl than there seems to be.

Love is the Word is a moving, romantic and funny coming-of-age drama about the magic of first love and the misery of first lost, set in 1978: the year 'Grease' hit the big screen.

Lockdown is a comic thriller about living in quarantine. The Netherlands is hit hard by the corona crisis. This goes for Theater Group Maastricht as well. If all theaters close their doors on government orders, bankruptcy is imminent. Artistic leader Michel is very concerned. He worries about the future of his company, but also about his own health. He has asthma and belongs to the so-called risk groups. Nor does his hypochondria help. Fortunately, good friend and companion Servé comes up with a solution. What if they play the Oresteia, the play with which they would premiere soon, via the internet? Just from their living rooms? In this way they can still attract a bit of public interest and possibly close the highest financial need pending help from the government.

Tim Boerhave, a philosophy lecturer, loses his legs in a bomb attack. Who is responsible? The last image before the explosion is that of a large black dog with a sardine tin attached to its collar, jumping up against the kitchen door. For Tim, the question of who did it is less urgent than the question of why. No one has claimed responsibility for the attack. He can't think of any reason why he was targeted. While his house is being rebuilt, he and his family retreat to a quiet family hotel to recover. Day and night, he locks himself in his hotel room. He is obsessed with mapping out what preceded the explosion on that fateful morning. Who is the perpetrator? Why is Tim the victim?