Lynette Callaghan

In ABODE, five interwoven stories explore the meaning of home, across city streets and country kitchens, strained families and surreal technologies, revealing how identity, memory, and connection shape the places we call our own.

Lily, a girl with a secret on the cusp of becoming a young woman, is faced with the greatest challenge of her young life.

'Lost and Found' is a film with 7 interconnecting stories set in and around a lost and found office of an Irish train station.

Tom Murphy, a middle-aged Irish-American man from Cleveland, travels to Ireland for his best friend’s wedding and to find the perfect woman.

"8.5 Hours" is a drama about one extraordinary day in the lives of four Dublin office workers during the final months of Ireland's Celtic Tiger years. A controversial mix of intense drama and some very black comedy, it depicts the personal lives of four workers in a small software company spiralling out of control throughout the course of one working day from 9.00 to 5.30, the 8.5 hours of the title. Sexually charged and constantly surprising, the story relentlessly twists and turns and builds to a series of haunting and unforgettable resolutions.

The story begins when the devil cursed two servants for accidentally killing a Gaelic `king with whom he had made a pact. This curse was handed down through every generation and which changes each time. The recipients of the Gaelic Curse are Bailey O Farrell and Limp O Reilly. The former suffers with a hump on his back and the latter has a limp, each with a life of its own. Bailey lives in L.A and Limp in a rural town in Ireland. Bailey finally comes to Ireland to find a way of breaking the curse. Through a series of comic events the pair try to rid themselves of the curse along with falling in love with two of the locals. They meet the Devil who plays with them and is saved through love and a little help from the Devils own sister.

Hole in the Head is an experimental feature film in which the protagonist re-stages his family's home movies in order to recall a traumatic event. Melding new with old technologies and a film-within-a-film structure, Hole in the Head proposes a hauntological discourse on autofiction, trauma and private ritual.

A tricky case for Inspector Jury and his (ex-)aristocratic friend Melrose Plant: In Rackmoor, a picturesque Yorkshire harbor town, a woman dressed as a harlequin is murdered. The dead woman is said to be Dillys March, the adopted daughter of the extremely wealthy Colonel Titus Crael, who disappeared 20 years ago and has now unexpectedly returned. His son Julian Crael, however, believes she is an imposter. In his opinion, the woman pretended to be Dillys in order to gain access to Colonel Titus's fortune. Did Julian perhaps kill her?