Leonid Alimov

События развиваются вокруг лотерейного билета, выброшенного за ненадобностью археологами, которых интересует только их наука. Но оказывается, что билет сулит фантастический выигрыш, в миллион долларов. Стать обладателями огромной суммы хотят двое бомжей, члены племени айсоров, пара подростков и даже сам президент страны. Никто не желает уступать дорогу к осуществлению своей мечты. За счастливым билетом начинается охота.

«SLOVE» means Soldier of Love. This is how two brothers fighting corruption and crime are calling themselves...

Lawyers Andrew and Benjamin are friends who share a lot, but their work puts them on opposite sides. Their trials do not occur in this life but in the afterlife. They are members of the Sky Court deciding where a human soul should go after death- Heaven or Hell. Unexpectedly in one case personal interests of Andrew interfere: the man who made the proposal to his widow is on trial.

The shrill and tragic story about an event that involved Count Lev Nikolaevich Tolstoy. In an infantry regiment of the military based in the Tula region an offence occurs. In this regiment, the capital’s lieutenant Grigory Kolokoltsev — inspired by progressive ideas — does his service. A military tribunal and execution await the soldier charged with the offence. Kolokoltsev asks Count Tolstoy for help — and he decides to protect the innocent man. The pointed history about the complexity of choice and fidelity to one’s ideals is based on real events.

It was a time with a rise of artistic life in the former capital of Russia. But the rise ended quickly and tragically with arrests and executions. Modern St. Petersburg and Petrograd of 1921 strangely and intricately intertwine in the mind of the director. The cruel, bloody, but romantic world of the first years of the Revolution converge with the artistic and domestic life of contemporary filmmaking on the same ground, on the same streets and squares.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?