Titus Muizelaar

A young woman is awakened to a world of cruelty, shadowy passions and sensuality.

Leon Mortier, a wealthy publisher, whilst driving through the forest one day, stops when he sees Lulu walking down the long narrow road. She gets into the car. Leon is amused and intrigued by her. When he pulls off, suddenly out of nowhere a man appears in front of the car and Leon accidentally hits him. He decides to take them both home to recover. Leon falls madly in love with Lulu. Both Lulu and the man stay on with him in the house. Lulu's behavior is unpredictable. Leon becomes suspicious and paranoid about her. As he begins to suspect that his friends are being unfaithful with Lulu, he decides to throw a dinner party with some of his closest friends. During the dinner he wants to confront them with their infidelity and expel them all from his life with Lulu. But when he discovers his son in the arms of Lulu, he decides also to get rid of her, a plan which backfires in a most unexpected way.

In an old, rundown house, former German soldier Max struggles with memories of his Jewish lost loved ones from World War II, as the past and present mix, trapping him in a maze of recollections.

A portrait of a woman and 26 witnesses who appear to be accusing her of something but we'll never know what. We'll never even know who she is and who the witnesses are. A complex experiment about space, voice and speech.

A bus driver on a regular route in the 'polder' moves into a new house with his wife. They are the first inhabitants of a new estate. At the same time, a homeless man and an woman movie into the driver's bus.

Frans van de Staak, Holland's most prominent avant-garde director, made this film "...about people who want to get something done. I leave out the why as well as the results. What's left is the moment of endeavour. There are two couples. The four characters are played by eight actors. There is little dialogue. Sometimes a couple does not seem to live together, just to be alive together in the same room. Each one of them at one time walks through an anymous part of Amsterdam. They put their feet down with a will, clicking their way through town. We do not know where or why they are going. To a meeting, to get some exercise, nowhere? They have difficulty in communicating. They leave notes to each other on the table rather than talk. The film sometimes mocks their intensity. It is surprising that such a strange film can keep the viewer's attention for an hour and a quarter. But it certainly does. (Dutch Fim 1988-89)

An impossible city is built up out of enormous rotating rings, steering the lives of its lonely inhabitants. New Babylon is a visual trip through an oppressive night in which contemporary, individualistic life is reflected in a circular metropole.