Irute Vengalite

In this movie we follow fate not a person but car: first Soviet Lada. It starts with Brezhnev daughter and then gradually moves on parallel to last years of USSR into wild after-perestroika years with bandits and newly born oligarchs.

The protagonist of the novel is a woman. The main theme is freedom. At the very beginning of the play, Vera Pavlovna utters a text that becomes the manifesto of her life: “I want to be free, I do not want to be indebted to anyone, I do not want anyone to tell me: you must do this for me! I want to do only what I want. And let others do the same; I don’t want to demand anything from anyone, I don’t want to restrict freedom and I want to be free myself. ”

Viktor Burdin demands complete clarity from the KGB: when and under what circumstances his father, now rehabilitated, died.

Two friends, having no hope for law enforcement agencies, decide to fight the mafia on their own. One of them dies in an unequal fight.

A Soviet children's television film based on an Italian fairy tale, a fairy-tale play from the series of televised productions of folk tales from around the world.

Boris is called up for military service in a "hot spot". His bride Larissa, soon receives a letter stating that he was missing. A friend of Boris Nikolai, who was secretly in love with Larissa begins aggressively courting her and finally makes a proposal. The girl is forced to accept it. On the eve of her wedding Boris unexpectedly returns. Their feelings for each other are still there, but the young man disappears again ...

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?