Artur Kharitonenko

The final part of Mikhalkov's trilogy about Divisional Commander Kotov finds him returning home during World War II having been betrayed, narrowly escaped execution for treason and nearly reduced to dust in a prison camp. Only to discover that everything has changed and he will have to fight again for his name, for his honor, and for his love.

To earn money, nineteen-year-old Lyosha must lose a Zhiguli race to blogger Shkurny live. But even the younger brother does not know that according to the agreement in the finale, Lyosha must set fire to his grandfather's car. Having penetrated the vibrant world of drifters and learned the story of his grandfather-designer, Lyosha faces a choice whether to succumb to the blogger and destroy the car or defend the honor of his family.

A comedy about Masha First (the grand-granddaughter of Johnny First) who comes to Russia from USA trying to make her own movie.

Lenfilm's most recent major production spins a kind of historical fantasy based on real incidents that's full of ominous implications for today. One night, a patrol rushes into the chambers of the Russian prince Pavel, son of the Empress Catherine; the Empress has died, and Pavel is to be anointed the new Tsar. Thought to be feeble-minded at best and crazy at worst, Pavel soon lives up to his enemies' fears: he dismisses long-serving courtiers, demands that peasants only work three days a week, and declares that state officials should start their days at 5 am. Soon, it seems that everyone who can is trying to hatch some kind of plot against him - including his own sons. Sumptuously designed, POOR POOR PAVEL constrasts the imperial splendor of the court with the sordid atmosphere of conspiracies and backstabbing that comes to define these characters' lives.

Who is he - Leo Tolstoy? The film, based on Tolstoy's diary and his photographs, plunges into Tolstoy's special, borderless dialogue with himself and with the world, which does not end, as he believed, with death. However, it will not be possible to see Tolstoy himself - he is given only in reflections: in photographs and in the perception of other people.

Is secret cooperation with the government a respectable thing?.. This is the question Nikolay should answer for himself.

40-year-old provincial Natalya Nikitina has been living in St. Petersburg for the seventh year. She works as a nurse for ailing old people and endures their countless quirks and humiliations. Once in her life, a new friend appears - a masseuse named Love, who plunges Natalia into the abyss of bright and risky adventures in search of love and happiness.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?