Maša Šarović

Five uniquely moving films about motherhood—bubbling up in the grocery store, the cemetery, or even a car ride—come together in this omnibus film set in Sarajevo.

Mara, a successful businesswoman and single mother, is heartbroken after her son Nemanja’s untimely death. She becomes emotionally detached, refusing to communicate with friends and family. However, when she meets Milan, Nemanja’s close friend, she finds solace and comfort in their relationship.

Danson is seducing Neven's girlfriend, taking over Neven's apartment, and gaining control over Neven's entire world, while Neven is powerless to do anything about it.

A young couple is living at his parents' apartment. Frustrated at not being able to provide for themselves, they fight. She decides something has to change.

Ivan, a young copywriter is faced with the pressures and expectations of his work and surroundings. He tries his best to reconcile both aspects of life, but it is not easy at all.

In the focus of Djurdjevic's only seemingly "simple" plot are three urban 30-year-olds, stuck somewhere on the first life curves - either because of an inferiority to an employed wife, or because of their inability to prove themselves through superficial sexual adventures, or the overwhelming urge to humiliate his friends behind the "mask" of innocent jokes. However, the equally important protagonist of the play "Don't Bet on the English" - the protagonist who is both inside and outside them - is one of the essential demons of human nature: a passion for gambling, more precisely betting. An emerging form of this obsessive passion is, for Djurdjevic's heroes, betting on the results of matches of various national football leagues.