David Miranda-Hardy

A police chief in the war-torn streets of Los Angeles discovers that an extraterrestrial creature is hunting down residents - and that he is the next target.

An account of the days of First Lady, Jacqueline Kennedy, in the immediate aftermath of John F. Kennedy's assassination in 1963.

Amalia is an adolescent girl who is caught in the throes of her emerging sexuality and her deeply held passion for her Catholic faith. These two drives mingle when the visiting Dr. Jano takes advantage of a crowd to get inappropriately close to the girl. Repulsed by him but inspired by an inner burning, Amalia decides it is her God-given mission to save the doctor from his behavior, and she begins to stalk Dr. Jano, becoming a most unusual voyeur.

María is eighteen years old, she lives with her mother in an old house in Buenos Aires in 1978, subletting rooms and giving classes to poor illiterate adults. Suddenly she is abducted by a military squad and finds herself accused of subversion and submitted to torture in the hideous underground of the Garage Olimpo, while her mother desperately tries to find her.

It all begins at a party in Santiago, Chile, when a seemingly innocent gesture -- the offer of a ride home -- ends in a passionate night of lovemaking and intense conversation for young singles Bruno and Daniela. Shacked up at a flea-bitten motel for a one-night stand, the pair lingers deep into the night, alternating between powerful physical encounters and an ever-deepening emotional connection.

Could a brilliant composer's music actually be killing his loved ones? Eliseo can't help but believe it when his younger sister dies tragically and then his pianist Georgina suddenly dies on the piano. Completely traumatized, Eliseo is taken to a mental hospital where he can find escape only through music.

Near Luján, the Rerum Novarum music band, composer of former workers of the Flandria cotton plant, continues playing nowadays, in spite of the shutdown of the factory. The old musicians struggle with passion in the need to maintain an identity, in a present where the social values seem to have to disappear. The old workers-musicians, receive "Our Lady of Luján" playing "Oh, María", remembering the early days of the town, of the factory, and of their own lives. They recall an idealistic past, where a Flandria worker used to receive a salary equal to that of a bank manager. They visit the closed factory -once source for employment for thousands of workers- with the knowledge that the country that they helped to build no longer exists. The old musicians gather to enjoy their friendship in the celebration of the 63rd anniversary of the band, while they fight against the ghosts of the economical crisis and social disintegration.

A 50 year-old woman who analyses her past. She pictures herself when she was 20 years old and she re-creates the story of her life through a game of innumerous possibilities. What if she wouldn't have gone to that ball? What if... instead of meeting the man of her life, with whom she married and had kids, she would have called a girlfriend and they went to the theater? What would be her destiny? What would have happened? In the plot the present talks to the past. A young woman projects her future in a fascinating game between memories and desires.