Josias Amon

In the movie, Eduardo Moscovis is Danilo, a stage director obsessed with the injustice committed against XIX century farmer Manoel da Motta Coqueiro, case that initiated the process of extinction of death penalty in Brazil. Incited by a beautiful and mysterious woman, Danilo takes a fateful decision. He stages a play about the case with himself as Motta Coqueiro and psychiatric patients playing all the other parts. When the borders between reality and fantasy start to blend, Danilo relives the historical facts in first person, all the time conscious of the tragic doom of his character. Full with uncommon characters and surprising turns, the movie approaches the issue of death penalty in a refreshing new perspective.

The miniseries addresses the struggle of Pedro Arcanjo, guided by Magé Bassã, his holy mother, to protect African culture and integrate it into Brazilian society, creating a new culture. The plot takes place in the Bahian setting filled with the stories of the characters who intersect in Arcanjo's struggle: the friendship with Mestre Lídio, shaken when Rosa de Oxalá, his wife, falls in love with Archanjo; loves prohibited by the incompatibility of saints; the fight against the intolerance and racial prejudice of those in power.