Pramoedya Ananta Toer

A Javanese royal and half-Dutch woman fall in love as Indonesia rises to independence from colonial rule.

Six months after PETA's failure to fight Nippon, Hardo returns to his village in Blora. His presence is smelled by Nippon, tracked and pursued. In a chase one day and night before the proclamation of independence, a drama of struggle is revealed. The betrayal of Hardo's fiance's father is juxtaposed with the betrayal of his best friend Karmin; the resistance of Dipo and Kartiman juxtaposed with Hardo's resistance; the cruelty of the war and the ego of the invaders, a shidokan of Nippon juxtaposed with the deterioration of war victims of Hardo and Ningsih's father.

The myths of globalisation have been incorporated into much of our everyday language. "Thinking globally" and "the global economy" are part of a jargon that assumes we are all part of one big global village, where national borders and national identities no longer matter. But what is globalisation? And where is this global village? In 2001, John Pilger made 'The New Rulers of the World', a film exploring the impact of globalisation. It took Indonesia as the prime example, a country that the World Bank described as a 'model pupil' until its 'globalised' economy collapsed in 1998. Globalisation has not only made the world smaller. It has also made it interdependent. An investment decision made in London can spell unemployment for thousands in Indonesia, while a business decision taken in Tokyo can create thousands of new jobs for workers in north-east England.