Fatima Khair

The film tells the story of Saida, a married woman with a daughter, who works as an employee in a company and lives a quiet and happy life, Saida is kidnapped by a taxi driver who rapes her with his friend. For fear of scandal, she hides what she was exposed to from the police and from her husband, to whom she only tells that she was robbed.

On his third birthday, Mehdi goes out with his brother to the neighborhood square, and when the child is kidnapped by a woman who seeks to exploit him into begging, many years pass for the child away from his family until his nanny falls ill and decides to confess the truth to him.

A collective film made to celebrate the centenary of cinema.

The film sheds light on the issue of cancer in young children and the subsequent suffering for them and for the doctors supervising the condition of this category of patients and their parents.

During his 5 years of detention, Mehdi has questioned his life, and is considering the future. The future: Canada, where he wants to purify himself to be reborn again. Fate wanted him to meet Driss, a young marginal. Everything separates the 2 men. However, they have one thing in common: loneliness. A great friendship will be born between the 2 men, who will reveal their life, their anxieties and their dreams.

Moulay Driss, a cultured and quick-witted man, silently dedicates an unlimited love to his cousin, the beautiful Yacout. He is forbidden to confess his love for fear of displeasing him because of his hunchback and his one-eyed eye. As Moulay Driss can not even hope to seduce Yacout, he decides to help Moulay Ali, his best friend, to conquer her. Moulay Driss begins writing fiery letters to Yacout on behalf of Ali. At times, hidden behind a tree, he recites them himself to a subjugated Yacut. Yacout, who really falls in love with Moulay Driss's words, believes he loves Moulay Ali.

The story of four Moroccan women who reunite after a period of estrangement. Their happy facades mask a lot of misery and pain, caused by divorce and betrayals as one of them discovers that the man she loves is cheating on her with one of her closest friends.

The film is an autobiography of the Moroccan visual artist Benhaila Regrakia. Regrakia grows up in a conservative family that clings to its traditions, which are based on valuing the man and granting him absolute authority within the family. She finds herself trapped between self-affirmation, which is considered a departure from the norm within her family, and between traditions and social reality. Cruel.