Khaled Abdulwahed

Made from images filmed by the Syrian artist Amel Alzakout after the boat on which she was fleeing Syria sank off the coast of Lesbos, Purple Sea reports on the moment in which the co-director and the other passengers are floating in the sea in their lifejackets, waiting to be rescued. Her voice-over accompanies this extremely poignant experience.

A conversation between the filmmaker and his father, separated by the war in Syria. Now a refugee in Germany, the son reconstructs the journey of his father, who was a student there 70 years earlier.

In Slot in Memory, a 2013 short from Syrian filmmaker Khaled Abdulwahed, images of war are only visible through a tiny crack in an otherwise dark frame. Abdulwahed cuts between this crack and simple footage of children from Lebanon’s Sabra and Shatila refugee camps playing happily on a swing. Abdulwahed has said he had initially set out to tell a more direct account of war and trauma, but because he was physically unable to reach warzones inside Syria, he felt he couldn’t do such a project justice. Instead, filming the kids, he discovered the swing they were playing on had a crack in it, which inspired him to make the visual connection with the obscured war footage.