Rubén Guzmán

Twins still in their amniotic fluid announce our human condition, our compulsion to walk, move forward, run. When everything moves, we go through the forest of emotions in a dreamlike way. But it is thanks to water and its light reflections, to its transforming power that the infinite “Kosmos” plays with our uncertainty.

A portrait of Narcisa Hirsch, Argentine filmmaker, pioneer of experimental cinema. The artist explores the path of her memories, where the traces of some men appear, which are transposed with the constant reference to the desert.

When two neighbours clash, their argument becomes less about proposed building alterations and more about the wider battle between class and social status. The hugely impressive building in question is the only example of a Le Corbusier residential home in all of Latin America, adding to the poignancy of their argument.

Sailors in repose on an island paradise seemingly have no worries of war or danger — until a playful gesture is interpreted as an act of wilful aggression. Soon, the innocent act of slight slapping becomes a relentless and unforgiving orgy of open-palmed face-smacking.

When he takes his girlfriend to a seedy abortion clinic in the back room of a combination hair salon / bordello, Guy Maddin meets the madam’s daughter and falls in love. But she won’t let any man touch her until her father’s murder has been avenged.

Between 7,000 and 11,000 years ago, a group of extraterrestrial visitors landed on the Chubut River for a picnic. For unknown reasons, they abandoned (or perhaps forgot?) one of their own. This abandoned extraterrestrial is recording his last days on Earth.

F.I.R.T 119 is a tribute to the Earth's Southmost railway in Argentina. The austere image, under the strong impulse of the piano score, captures the intensity of sooty coal trains.