Wu Jing-Ping

The film depicts Confucius's later life, as he traveled across a China divided by war and strife in an ultimately futile effort to teach various warlords and kings his particular philosophy.

On her way home from Lan Sin Restaurant, Liang Li-chin is horrified to have beheld a man's body inside a private hired-car. But when she explains what she has seen to her fiance Hu Ming-lin at his Red Bat Apartment, she is no longer sure whether it was a drunkard or a corpse. But Hu is arrested by the Police as the suspected murderer of his boss Chia Lei on certain material evidences: a/ Hu's visiting card has been found near the corpse; b/ the scarf which strangled Chia to death belongs to Hu as there are his initials M. L; and c/ he has been seen to have quarreled with Chia. But somehow Hu denies he has killed Chia. Liang now recalls that she has seen a strange figure, a man, that night in the car. She is sure he was not Hu, but the Police Inspector, is not a bit convinced, especially because of her relation with the suspect, Hu. Liang feels she must act fast, if she is going to save her fiance's neck.

Peng Zigang and Zhao Xiaoping live together in the same room, and they get along well. When they learned that a tenant had moved out, they both begged the landlord to rent the room to their girlfriends, and they did not give in to each other. Fortunately, the landlord intervened and their girlfriends lived with them in the neighboring room. Kong is simple, but his girlfriend Dufen is fashionable; Ping is active, but his girlfriend Tang Ying is quiet. The two lovers eventually broke up due to personality disagreement, but instead, they were married to their best friend's partner.

Set during the Orphan Island period of Shanghai, the film follows a group of revolutionary patriots-cum-assassins who finally earn the support of the suffering public. ‘We’re all Chinese,’ so they repeatedly chant.

Famed director Zhu Shilin tries his hand at a horror film! The beginning of The Living Corpse immediately sets the tone with a folk duet clearly inspired by the popular 1956 musical Songs of the Peach Blossom River. The duet, in addition to Zhu's frequent use of long, empty shots and crisp editing, gives this horror film a traditional poetic charm and a strong folk flavor. Mise-en-scene and sound effects create a terrifying atmosphere, and successfully communicate the ghostliness of a world without ghosts.

'Golden Eagle' is crowned wrestling champion at the Aobao Meeting, but subsequent conflicts break out between Glden Eagle and the Lord of Ba-yin. Expelled from the tribe, he meets and falls in love with San-Tan. But their affair arouses the jealousy of her suitor Chaganhu.

HK drama film.

Famous dancer and film actress Fong Nan (Mao Mei) desires both a career and a family after marrying an eminent doctor (Guan Shan), who, however, wants her to be a stay-at-home wife. They are on the brink of divorce when he finds out she secretly rehearses for her dance and movie…Taking inspirations from Hollywood musical films, the movie is beautifully directed and meticulously produced by Yuen Yang-an and his Sun Sun Film Enterprises. While most films at the time usually depict how grassroots people rise above adversity, this one tells the story of a famed actress who thrives for success and never gives up on her artistic ambition. This reflects that women's liberation and employment was a dominating theme in left-wing movies. The finale was shot in Eastman colour negative film, which was rare before mid-60s given the limited technical resources in Hong Kong film industry, and thus a valuable record in the city's cinematic history.