Harimohan Bose

This movie is based on the life of a famous Bengali philosopher, academic educator, writer, translator, printer, publisher, entrepreneur, reformer, and philanthropist named Ishwar Chandra Vidyasagar.

Tapan Sinha's first Comedy Film & Madhabi Mukherjee's Debut Film.

A 1951 Bengali Thriller Film directed by Naresh Mitra.

Shiromoni, a village priest sends his son on an errand to the house of Mr. Mukherjee. On his return Kashinath discovers his father is no more. With no kin to support him Mr. Mukherjee suggests that Kashinath should move over to live with Mr. Pitambar Chakraborty, the zamindar [Landlord]. Kashinath however, is in no mood to leave Mr. Mukherjee's home as he has started to grow attached to Mukherjee's daughter Bindu.

The rustic girl left this world and went to heaven. Her Painful memories are what remains behind. The injustice exploitation is suffocating. These conflicts within the unfortunate soil of India have taken many lives. There’s cruelty amongst mankind. There’s injustice and exploitation everywhere. People struggle for their rights. There’s a storm raging in every heart and soul. The earth shivers and wreaks havoc. The raging waves clash on the shores. This enlightens the soul. We can hear the song of a great soul at a distance. It calls out. It calls out to us, to break free from the shackles. We can hear his call. Come Forward. Break free from the shackles. Fight back for freedom. Set yourself free. We’ve sacrificed our lives for the freedom of new India.

Young Mahendra belongs to a family of musicians, but once the family is cursed by their teacher. Mahendra's elder brother becomes blind and to avoid the same fate he goes to Kolkata and lives in the house of his father's friend Umeshchandra. He gets romantically involved with Umeshchandra's daughter Madhuri. Madhuri tries to make Mahendra modern and pursue his musical career. Despite his good singing ability, Mahendra refuses to accept this due to his family values. He leaves their home and takes shelter in Kolkata. But the curse strikes him also and he falls seriously ill.

A 1954 Bengali Romantic Drama Film directed by Ajoy Kar, featuring Mahanayak Uttam Kumar & Mahanayika Suchitra Sen.

A 1954 Bengali Drama Film directed by Bholanath Mitra, featuring Mahanayak Uttam Kumar.

One of the early films of Chhabi Biswas featuring him as a leading man, before he came to be associated with the dominating patriarch roles that have become iconic in Bengali cinema, the film is a tale of the love, relationships and ideals of two generations. Nutubihari is an idealist who has given up his love for Kalyani for the sake of his beliefs. He marries Bimala and becomes a lawyer, fighting for the rights of the poor against the feudal lords. Meanwhile, Kalyani comes to ask refuge after she becomes a widow and is inexplicably accepted by Bimala with a lot of warmth. As the years pass Kalyani's daughter Mamata and Nutu's oldest son Arun fall in love and wish to get married. However, the new-found fame and fortune turns his head and Nutu begins to resemble all the ideals and vices that he had always despised. On the other hand in an ironical turn of events, Arun comes to occupy the position once held by his father, highlighting the generational conflict of ideals.

Hemen Gupta's 'Bhuli Nai' (1948) was set against the infamous 1905 Partition of Bengal by Lord Curzon.

A 1958 Bengali Romantic Family Drama Film directed by Chitta Bose.

A 1953 Bengali Drama Film directed by Subodh Mitra.

Dikshul is a 1943 Bengali film produced by New Theatres Ltd. Directed by Premankur Atorthy, the film featured music by Pankaj Mullick and cinematography by Rabi Dhar. Notably, the film's lyrics were penned by the renowned poet Kazi Nazrul Islam, and it marked the playback singing debut of actress Binota Roy.

A son in a rich family has gone missing for a long time. A man intrudes into the family feigning as their lost son. He enjoys life with the wealth in the family. However, when the wife approaches him with trust and affection his conscience demands a hearing. Even though he is an imposter he does not want to take advantage of the wife's innocence. Finally, it is a victory for the conscience.