Liya Seyidova

"The Crow" - During the meaningless war years, a new lifestyle emerged in Lebanon : neither capitalist nor socialist. A military lifestyle. A whole generation of Lebanese were born and raised in war climate as a result of their inclination towards death and confusion. This generation does not imagine another life. The sounds of automatic fireworks are mixed with the sounds of folk instruments at every holiday or family celebration.

Composed of two narrative layers. The first layer includes a visit to the cinema (including a projectionist) and a reflection on their perception and experiencing the projection. The second layer is the projected work, ie film in film. This is based on the structure of the myth: at the beginning we see a tree that seems to refer to the tree (life or knowledge) in Eden. This is followed by a correlation of the images of Michelangelo Buonarroti's The Creation of Adam (1512) and other Renaissance works. The following shots from the Nazi concentration camps, ie the presentation of manifestations of human evil, are then an allegory of the fall of a man who was the result of the original sin in paradise.

The film is about village people, about their love for their land, their honesty in relations.