Adalat Abdulsamadov

The sudden death of his father at a dinner party organized on the eve of Alakbar's wedding, which is about to be married, creates an atmosphere of mourning instead of celebration, setting the rest of the film on a family's grieving and reliving emotions.

During the late 1980s and early 1990s the Armenian minority in Nagorono-Karabakh attempted to break away from Azerbaijan, one of the former Soviet republics. Overnight these former neighbors became enemies, and simple village folk were suddenly made hostages in a complex power game. One of the Azerbaijani villages right on the border is home to the family of the peasant farmer Kerim, who has just been captured by the Armenians. The village council decides to take an Armenian in order to arrange a hostage exchange. They imprison the wounded man in the barn next to Kerim's house, where his wife and three children desperately await the husband's return. The captive from the other side of the border finds himself in exactly the same situation - he, too, has three children, he finds it hard to scrape a living together, he has never done anything to harm anyone and, like Kerim, he just wants to go back home. But life in Karabakh is far more complex now. Blood calls for blood.

The film is based on Jafar Jabbarli's play "Aydin".

Shoemaker Gadir is known among the people for his stubbornness. His friend's son, businessman Amrulla, convinces all the shops in the area except Gadir's shoe shop to sell. Realizing that he will not be able to convince Tars Gadir, he plays a trick on him. One day, he offers him a job and gives him money as an advance. Gadir, who wants to send his daughter to a festival in Baku and needs money, has to accept Amrulla's offer and pawns his shop. As a result, the job is not done and Gadir loses his shop.

Maqsad lives a simple life with his wife Giyamat and son Sohbat, but suddenly things change when his son Maksim from a Russian woman comes to see his father from Russia.

An incredible love story. The script of the film is inspired by the Lezgins and reflects the fate of the Lezgin people. This is the first Lezgin feature film in the history of Azerbaijani cinema.

This is a mockumentary-style project that humorously and satirically explores the themes of exorcism and family drama.