Bruna Callegari

Maria Onardina Bariani spends her days indoors, with windows and curtains closed. At 83 years old, he doesn't read, doesn't watch television and doesn't like music. She regrets not having been a nun and tells her grandson that she plans to die soon.

Zuza Homem de Mello opens the doors of his home to share part of his history with music. Showcasing his vinyl and CD collection and exploring various musical genres and styles, Zuza recounts stories from his career as a music journalist.

Documentary about the Minas Gerais photographer Assis Horta, who immortalized the architectural heritage and society of Diamantina. The great impulse of his career came in 1943, with the Consolidation of Labor Laws, promulgated by Getúlio Vargas. By making mandatory a professional card with photo, Vargas gave the push that the working class needed to enter Horta's photographic studio. In the years that followed, the photographer portrayed hundreds of people. In 3x4 or full-length, many took their first portrait.

Deusa works as a toll collector on the island where she lives. Used to seeing the movement of travelers, she had never thought about her own destination. When a whale runs aground on the beach, Deusa feels different.

In less than ten months, the music band Mamonas Assassinas went from being completely unknown to becoming one of the biggest phenomena in Brazilian music. Irreverent, intelligent, sarcastic and creative, the band took over Brazil and sold two million albums in just six months. Never-before-seen footage and interviews from family, friends, producers, and musicians tell the band’s story, their challenges, their rise to fame, and the tragic aeroplane accident that killed all its members in 1996.

Inspired by Eduardo Coutinho's films, debutant director Davi Kinski proposes the documentary Poemaria, assembled from conversations with 24 personalities. The subject: poetry.

Built in the heart of the metropolis of São Paulo, a maritime lighthouse holds mysteries and lives in the imagination of the city's residents.

For 20 seconds, Raí gazes at the horizon before taking the free kick that would decide the 1992 Intercontinental Cup title between São Paulo and Barcelona. Blending manga, the PLACAR magazine archives, previously unseen VHS footage shot in Tokyo, and exclusive filming in Paris, the movie delves into Raí’s journey toward his world title victory in Japan—a portrait of the past, present, and future.

October 13th, 1977. Sport Club Corinthians Paulista hadn't won a major title in 22 years, 8 months, and 7 days. PLACAR magazine, launched in 1970, was in imminent danger of closing. Winning the Campeonato Paulista was crucial to the survival of both: the team with the second-largest fan base in Brazil and the longest-running sports magazine in Latin America.

The documentary questions the knowledge of sociology in the face of the crises of the contemporary world. Experts in the subject discuss and evaluate the usefulness of this discipline and propose new ways for its application.

In Brazil, in the State of Mato Grosso do Sul, in the region of the Rio Taquari, the increasing and continuous silting of the rivers has led to the overflow of waters and the flooding of lands over the years, causing significant changes in the lives of its inhabitants. This has made it impossible to cultivate the soil and raise livestock, a form of livelihood for local families. Member of one of these families, Ruivaldo Nery Andrade, our guide character, struggles to save his farm, through the construction of a manual system of dikes to contain and alter the course of invading waters and, thus, resume his activities and guarantee the survival of the land.

A grandmother takes her granddaughter to visit her past memories through old photographs.

Directed by Jorge Bodanzky, As Cores e Amores de Lore tells the story of German painter Eleonore Koch, Volpi's only disciple who, having settled in Brazil since World War II, lived freely and intensely, always dedicated to her art. Based on a series of meetings that the director had with the painter, the film portrays the last years of her life.

Jorge Bodanzy appeals to the emotional memories of the period he spent studying at the University of Brasilia to show us a tableau of youth in the 1960s, with their dreams and expectations, their hardships, and interrupted projects.