Michel Derville

Paris, France, December 1897. The young playwright Edmond Rostand feels like a failure. Inspiration has abandoned him. Married and father of two children, desperate and penniless, he persuades the great actor Constant Coquelin to perform the main role in his new play. But there is a problem: Coquelin wants to premiere it at Christmas and Edmond has not written a single word.

Sebastien is a small town boy who moves to Paris and begins to explore the gay night life there. When a friend from back home calls to announce he's coming to Paris, Sebastien confronts some unrequited feelings.

Two ex-convicts, MG and Gilbert find refuge in a charming middle-class house whose couple is about to celebrate its 20-year old marriage. Our duo has no other solution than to take this entire brood in hostage. But, contrary to all expectations, they are warmly greeted by the occupants who don't think twice before helping them, they are even ready to put their guests off, even to kill them if necessary...

The turbulent life of Pasolini, filmmaker, writer. Of his many trials and political scandals in his troubled relationship with prostitutes in Rome through his relationship with Ninetto Davoli, the embodiment of life and gaiety form a striking contrast with the poet haunted by death.

Yvon Dikkebush is a café owner in northern France. His clientele consists mainly of workers from the factory located opposite his establishment. Following the announcement of layoffs, a strike breaks out and the factory is occupied.

The feature film “The seven ramparts of the citadel”, a fiction recounting the conflict between an Algerian family expropriated from its land and a bloodthirsty settler; by director Ahmed Rachedi. Adapted from the eponymous novel by Mohamed Maarafia, the film, whose plot begins in 1954, tells the story of two characters, Thebti and Lucien, “the fellaga and the colonist”, a story of crossed destinies. “After having engaged in a fight to the death, after having both traveled a long path of embers, (they) finally find themselves face to face and above all each face to themselves”.