Oleg Ogiy

In the near future, writer Victor Banev gets himself on a UN commission to investigate the goings-on in the remote town of Tashlinsk, where reports tell of a virus-created race of brainiac mutants. His tween daughter Ira is enrolled at a school for gifted children which has been taken over by the mutants, who have grown to despise ordinary humanity.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?