Alessandro Bonifazi

Anna runs a farm in Sardinia. At night she lets go in sensual dances in the village bar and indulges in short-lived adventures. Until one day, the construction of a mega-resort on her land forces her to engage in the biggest battle of her life.

A Medieval town surrounded by wild nature, a diver who is still fighting back against her past, a painter who blurs the distinction between life and art, a Japanese model who is used to play with her body. Three lives at stake, passion named after obsession, non-sense turning to reality.

Arriving on a deserted beach in the Mediterranean sea, in a time and a place unspecified, Kaspar Hauser is forced to confront the evil of a Grand Duchess who feels threatened by the power she exercises over the community.

A young fashion blogger and an aspiring songwriter seem to have not that much in common, but when Cupid’s arrow hits them, every difference fades away and overnight they decide to get married. Even their fathers do not have anything in common: Gaetano is a strict mayor from Southern Italy, while Diego is a rich entrepreneur from the North. Between the two forthcoming in-laws, instead, is hate at first sight. They seem to agree on one single common goal: prevent this marriage at any cost! After fighting by any means in a struggle that will also involve their two bizarre families, will they manage to say no to the wedding?

This portrait of the Italian director & actor, Pietro Germi, explores his work, from Italian neorealism to the birth of the Italian comedy. He constructed his movies in a conventional way but also experimented new path. His favorite actresses such as Clau

Three stories to narrate the relationship between mount Vesuvius and the humanity living at its feet. Maria and her flower garden, Matteo, an artist who paints using the volcano's ashes, and Yole, a neo-melodic singer whose devotion to the Virgin Mary is almost idolatric.

Dignity is a good reason to fight, or to walk away? Past and present issues on immigration, gender, and dignity in countries - Italy and Brazil - that share many similarities, starting from a biased relationship with their national memory.

Freak and Jajà, like Vladimir and Estragon, are in a no man’s land, with no date or time. Earth is no longer inhabited by humans but a few strange survivors who appear from time to time. The two protagonists, strangers to each other, meet at a bus stop in the middle of nowhere.

There are moments in life when, suddenly, everything stops. For Michelangelo, a young aspiring writer about to publish his first book, everything comes to a halt with the death of his father, forcing him to abandon his ambitions and provide for his family. Antonio, a successful manager accustomed to a perfect life, finds himself imprisoned by his wife's inability to overcome the death of their daughter. Giulia, on the other hand, is a young woman who has just given birth, whose husband had an accident shortly before their daughter's birth and is in a coma, in the same hospital where their daughter was born. Giulia lives there day and night, waiting for her husband to wake up: only then will she name her daughter. The interrupted lives of these three characters intertwine, waiting to find the turning point, the path that will lead them home.

"Andrea is a quirky, lonely, misfit and romantic individual who lives his life as if it were a black-and-white film, perpetually “out-of-sync” with the world around him... In the sultry, scorching August heat, he ventures by bicycle into a semi-deserted Rome, populated by a few surviving students, many elderly people and foreigners who cannot afford to vacation. Andrea intends to reach a supermarket where he can buy cans of tuna fish with which to continue accumulating points that will win him the mysterious “Happiness Coupon.” But if, among magical encounters, vicissitudes and bizarre happenings, reaching happiness is always a dream, pursuing it may turn out to be a nightmare... Besides, are we sure that, as they say, happiness makes one happy?"