Finn Peaks

It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.

The evening sun falls on the roof of an industrial building. Two individuals meet – whether intentionally or by accident remains unclear. What follows is a scene in which dream and reality are very close. Blue hour is cruising, with a difference.

A ritual film about recovering the sexual self after chemotherapy. A woman named Orlando embarks on a voyeuristic journey in a gay darkroom, attempting to free herself of the memory of cancer treatment and remember who she was before.