Sandro De Feo

In Milan, an unwed mother, forced to flee from her town because of the scandal, meets a doctor who falls in love with her and marries her. But the couple's relationship breaks down almost immediately: the husband is unable to leave behind the woman's past and can not stand a son not his. So Dina, in an attempt to readjust the rapport, entrusts the child to the care of the mother of her seducer (meanwhile deceased). But the sacrifice is beyond her strength, and she's soon taken by the irresistible desire to get her child back: in damp and foggy night, on her way to the station...

A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.

While recuperating from their injuries in a hospital, three young women flash back to the events leading up to the catastrophe. Remata (Lia Amando) has spent her entire life trying to overcome a childhood rape. Annamaria (Antonella Lualdi) has recently come out of an unfortunate marriage to a wealthy but insensitive boor. And Gianna (Eleanore Rossi Drago), the daughter of a college professor, has ruined her life with narcotics.

Gemma, caught between her desires and reality, struggles to navigate her marriage and personal ambitions.

The film follows Giovanni, a working-class orphan living in Rome, who realizes that his criminal lifestyle is wrong and becomes a devout fascist.

Document Z-3 (Italian:Documento Z-3) is a 1942 Italian spy film directed by Alfredo Guarini and starring Isa Miranda, Claudio Gora and Luis Hurtado. It was one of three Miranda films directed by Guarini that helped re-establish her in Italian cinema following her return from a largely unsuccessful spell in Hollywood. Many critics were not impressed with the film, feeling that Miranda had not recovered the spontaneity of her pre-Hollywood films. This is considered the first movie in which Federico Fellini has worked as a screenwriter.