Sabrina D. Marques

A man, a woman and a car.

The story of a young cinephile, who, coming from Braga, arrives in Lisbon, where he found a peculiar and fleeting job. Between the dark movie theatres, a girl and friends, the portrait of a certain era and of a young man like many, kind of lost, kind of uninterested.

In 'Os Fotocines', an intimate portrait of the war is built with those who lived it. This documentary feature film aims to investigate who were those, that in the Portuguese colonial war, lived with the simultaneous responsibility of fighting, defending their own lives and also, of permanently recording that same collective mission, through cameras and shooting, as well as screening.

A renowned symbol of Portuguese interventionist theatre, Cornucópia emerged from the darkness of fascism to fight dictatorship on stage. Among the classics, a project is born and dies, but one face remains emblematic: Luís Miguel Cintra, who shared his art with the constant complicity of set designer Cristina Reis. Together, guided by images, they bear witness, telling this story.

The story of a homeless man and his journey.

A video essay exploring 'palm reading' in Cinema history. Fragments from various films come together and interact with one another, constructing a narrative about the possible exchanges between the past and future that is predicted in the present moment through the act of palm reading in Cinema, hinting at narrative possibilities and associations across the history of Cinema.

Documentary adaptation of the book "Labirinto da Saudade," a deconstruction of the Portuguese ethos from a philosophical and historical point of view, written by Eduardo Lourenço.

Fiction is never very far from reality. A young man, of Portuguese heritage, decides to do a PhD based on the documentary The Good People of Portugal, a work from 1980, also directed by Rui Simões. This opens the door to a parallel between the reality of the film we see and that of PREC, the moment of the studied documentary and the contemporary world, with the young Michel in between.