Jafar Namig Kamal

The main storyline is built around a one-hundred-manat banknote. As the banknote passes from hand to hand, it continually changes owners, but in the end, in an unexpected twist, it belongs to no one. Those who come into possession of it represent different social classes and professions—among them a traffic police officer, a singer, a fortune-teller, a mullah, and others. Thus, the 100-manat note changes hands in various ways… and all these exchanges are accompanied by comic events.

Azerbaijanian family has found Armenian boy in the forest and raised him. But years after he betrays his country during the war.

The film is about the inner suffering and conflictions of Yavar, father of a soldier, who can't give the news of his son's death in the war to his heart-sick wife.

The film is about a day of the 19th-20th century famous tycoons from Baku Agha Musa Naghiyev and Hadji Zeynalabdin Taghiyev.

Arif, who was sent to a mental hospital by his neighbors, escapes from there and returns to his native neighborhood. However, his neighbor Agharza has taken over his house. In this situation, Arif tries to resolve the issue in his own way, and the true faces of all the neighbors are eventually revealed.

The events took place in the early 19th century on the eve of the fall of the Azerbaijani khanates. The events coincided with the period of the division of Azerbaijan into two.

Not looking that a film is told about personal human fortunes here in the foreground there are the most noble raised human lines.

Although Dursun the taxi driver got modern appearance now, he is still the same as we used to see him. Despite the fact that he'd already sent his matchmakers to his beloved 7 times, her father refused to let his daughter marry to a taxi driver. At the same time, Iftikhar Bey plans to present his famous Mona Liza exhibition in Baku. But the picture is stolen by unknown persons.