Fritz Alberti

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

Siegfried, son of King Siegmund of Xanten, travels to Worms, capital of the Burgundian kingdom, to ask King Gunther for the hand of his sister, the beautiful Kriemhild.

When Kriemhild, thirsty for revenge, marries to Etzel, king of the Huns, she invites King Gunther and his court to visit them, intending to finally take the life of the man responsible of her disgrace.

Gustav Froehlich and Charlotte Susa play Rochus and Judith, the zwei menschen (two humans) of the title. Rochus' domineering mother insists that he enter the priesthood, but he is reluctant to break up his blissful romance with the fair Judith. A religious fanatic of the first order, the mother swears before God and her Church that Rochus will indeed take his vows. When this does not come about, she dies of grief, whereupon the guilt-stricken Rochus abandons Judith to become a priest. The girl subsequently commits suicide -- and it is Rochus who must officiate over her body during the funeral. This final scene was excised from the print of Zwei Menschen released in New York, leaving audiences hanging in regard to Judith's ultimate fate.

When actress Mary Baring is found in a daze beside her colleague's murdered body, all evidence points to her guilt. During the trial, juror Sir John Menier doubts the verdict, but yields to pressure. Haunted by remorse, he launches his own investigation.

Also known as Darling of the Gods, this was Emil Jannings' second talkie appearance. Jannings stars as famed operatic singer Albert Winkelmann, who is greeted with cheers, applause and romantic propositions whenever he performs in his native Vienna. But when he embarks on a tour of South America, tragedy strikes. The sweltering climate causes Winkelmann to lose his voice on stage, a disaster met with hoots and cat-calls. Dispirited he returns to Europe, where he soon learns that no one is aware of what happened in South America. Intending to retire so as not to be exposed to further humiliation, Winkelmann is goaded back on stage -- where, miraculously, his gorgeous voice returns.

A working-class couple with four children live in extreme poverty in a rear building. When the woman becomes pregnant again, she goes to a young doctor and asks him to terminate the pregnancy, as the child would be too much of a burden for her. The doctor refuses to perform the procedure because it is against the law, so she has the abortion herself and dies in the process. The public prosecutor has the man arrested and the four children are left to fend for themselves. The prosecutor's fiancée, a young teacher, lives in the front building. When she is raped and becomes pregnant in her apartment by the porter's wife's mentally disturbed son, the doctor, deeply affected by the case of the working-class couple, performs an illegal abortion on the teacher and confronts the public prosecutor with the case of his own fiancée. The public prosecutor resigns because he can no longer reconcile his office with his conscience.