Artem Shevchenko

A small but powerful orchestra with strict melodies and rhythms in the spirit of “Avia” unleashes a mechanical frenzy: artists under a thick layer of make-up are throwing replicas from Harms' stories and notebooks. Ultimately, this plotless musical by Maxim Didenko with the artists of the Gogol Center claims to incarnate (literally, from the word “flesh”) the universe of a unique writer, the demiurge of a dislocated reality.

With the city in the throes of a flu epidemic, the Petrov family struggles through yet another day in a country where the past is never past, the present is a booze-fueled, icy fever dream of violence and tenderness, and where – beneath layers of the ordinary – things turn out to be extraordinary.

They have been abandoned in a world adorned with concepts such as family, friendship, love, and opportunities. In search of answers to their questions, they devour themselves like a chemical substance that corrodes the world around, in order to eventually learn not to listen but to hear, not to look but to see. And to find their way.

An aspiring director arrives in the Moscow region to film a documentary about a legendary Counter-Strike coach. However, instead of an esports legend, she's met by a forty-year-old security guard who doesn't own a computer, and whose training methods only fit on a couple of notebook pages. To save the project, the director decides to turn the charlatan coach into a youth icon, uncovering who's really deceiving whom.

On the eve of Women's Day, wives receive an SMS with a ransom amount for their husbands, who have gone away to vigorously celebrate their friendship. Having gone through all the events of last night in the lives of their faithful, the wives learn that the guys are in the hands of a crime boss and they are in mortal danger.

Autumn 1929. Lina, from the noble Golitsyn family, arrives on a date with her husband Georgy Osorgin, who is serving a prison sentence in the Solovetsky special purpose camp. Lina does not know that after she leaves the island, her husband will be shot. Osorgin received a terrible sentence after he, a deeply religious man, secretly brought holy gifts to the dying Archimandrite so that he could take communion before his death. The camp authorities took the Russian officer's word of honor from Osorgin not to tell his wife anything about his predetermined fate. Only on this condition did they agree to temporarily release him from the punishment cell for his last meeting with Lina. The spouses spend the precious three days allotted to them and feel happy in the most inappropriate circumstances. Osorgin says goodbye to Lina on the pier. When the ship becomes a dot on the horizon, the guards escort George back to the punishment cell, where he carefully dresses for his final journey.

Continuation of the New Year saga "Yolki". This time, all the stories in the film will be based on real events.