Artem Firsanov

The film was conceived as a story about the history of the Gogol Center Theater and the case of Kirill Serebrennikov. But the circumstances were different. This is a film about a film that could not be made.

They have been abandoned in a world adorned with concepts such as family, friendship, love, and opportunities. In search of answers to their questions, they devour themselves like a chemical substance that corrodes the world around, in order to eventually learn not to listen but to hear, not to look but to see. And to find their way.

This film was conceived as a continuation of the work of Igor Grigoriev "Holidays of the Revolution", filmed in 1972. The image of the future is the most important theme of the holidays a hundred years ago. Today, in the coming “future,” we are more likely to celebrate the events of the past or the present. Each other is followed by Lenin's birthday, a rock festival, a bow day, New Year, private celebrations. All these days merge into one - “red day”.

A film about how we imagine and portray death. Our heroes are the most diverse people who have been asked to go through all the stages of death, from dying to existence “on the other side.” This study of fear and laughter - the two main reactions of man to the approach of death. Death as a collective (what will happen to everyone) and individual (what will happen to you). What is special about the attitude to death in Russia? Do we know enough about this most important event in life - death? The film creates a kind of catalog, a "herbarium" of human reactions, fears and hopes that there is life after death.