Patricia Mort

A gang of jewel thieves rob a house which has just become empty following the recent death of it's rich lady owner. The robbery is not a complete success and one of the gang hides the jewels in the house as he's about to be captured. Later the house is put up for sale and events lead the estate agent to conclude that the jewels may still be there.

That Kind of Girl is a British cult film and the directorial debut of Gerry O'Hara. Produced by Robert Hartford-Davis with a script by Jan Read, it was released in 1963. The film's subject is premarital sexual relationships and sexually transmitted diseases in an English 1960s millieu.

A wealthy business man fires one of his employees and becomes the victim of murder attempt. The fired man becomes the prime suspect, but it appears that he himself has been murdered.

In The Vortex, Coward explores the darker side of the cocktail party set. Emotional blackmail, drug abuse and shattered relationships are minutely observed in this disturbing, early piece from a playwright whose sharp eye was usually more turned towards the light.

A British television anthology of stories, often with sinister and wryly comedic undertones, and a twist at the end. With early episodes written and presented by Roald Dahl, the series featured a plethora of big name guest stars.

Each self-contained episode features a different kind of horror, varying from witches, werewolves, ghosts, devil worship and voodoo, but also includes non-supernatural themes such as cannibalism, confinement and serial killers.

The Human Jungle is a British TV series about a psychiatrist, made for ABC Television by the small production company Independent Artists for transmission on ITV. Starring Herbert Lom, it ran for two series which were first transmitted during 1963 and 1965.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".