An Ogawa

21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.

Four unsettling short films exploring psychological horror: a man who barks like a dog at strangers, madness at a party, eerie phenomena following a friend's death, and a lakeside gathering cursed by water.

Mio is 20 years old. Having lost her parents early, she and her grandmother run a traditional inn in Nagano. However, her grandmother gets sick. Mio moves to Tokyo and lives with her father’s best friend, Kyosuke. He runs a public bath. She begins to work at the public bath, but it is scheduled to be demolished to make way for redevelopment.

After her father’s death, Kana returns home to care for her ailing mother. Soon, she begins experiencing vivid dreams and strange premonitions. When a dream about a high school classmate jumping in front of a train comes true, Kana’s anxiety spirals.

Aoi, an aspiring filmmaker/assistant director who visits the office of Toriumi, an independent film producer, seeking an opportunity to collaborate with him. Toriumi likes her screenplay and shows his interest in producing her directorial debut film. However, despite Aoi’s delight, the discussion starts to derail. When Aoi refuses to accept the producer’s irrational demands, he shows doubt in her ability to act on unexpected situations. Is he testing her aptitude or just trying to take advantage of her? Confused, she gets lost between doubt and desperation to believe in her dream opportunity.

Yuzo and Mitsuki live together in Yuzo's small apartment, their constant companionship tender and indifferent in turn. Then Yuzo receives a call from Satsuki, a documentarian resolved to make a film about a now-distant family tragedy, and the three meet, to search for some way to account for their relationship with one another, the memories they share, and those they've kept to themselves.

A disillusioned office worker finds freedom and a new sense of self after assuming her missing colleague's identity on a dating app, only to find it comes at the cost of much more.

This twin V-Cinema movies contains the second and third installments after the initial Kamen Rider Drive Saga: Kamen Rider Chaser, they both follow the characters of both Heart and Go Shijima beyond the conclusion of the series. Heart/Mach both take place following the novel, "Kamen Rider Drive: ~Mach Saga~", which takes place two years following the conclusion of the Kamen Rider Drive TV series.

In an old house by a remote lake, 81-year-old Sumie lives alone, her memory slowly fading. Michi, the 27-year-old caregiver who comes to look after her, has a slight tendency to steal. Michi feels guilty for not having returned an old wristwatch she found.

Yuko, a former leader of the five-member idol group Pinkerton, with the help of man named Matsumoto, tries to reunite the now-disbanded group.

Haru, a bookstore clerk, talks to Yukiko pretending to ask for directions. Haru has detected deep sorrow on Yukiko's face. Meanwhile, Haru has been spending days following Tsuyoshi discretely and checking his expressions.

Sanae (An Ogawa) is a high school girl preparing to take university entrance exams. She isn't very good at socializing. She wants to hurry up and become an adult, but it isn't going very well. Over summer vacation, Sanae's sister comes home from college in Tokyo, and her parents decide to hire a housekeeper. Yusuke (Hoshi Ishida), is rough around the edges and a little scary. The people close to him find him a mystery. As Sanae gets to know him, she begins to feel they have something in common. A journey through sweet love and bitter memories.

After his shot at a record deal falls through, Jun transfers to sleepy Nagoya and begins busking songs by his favourite 1970s glam rock band, Exne Kedy. The music catches the eye of fellow fan Ibuki and the pair soon fall in love over their shared musical taste.

A young woman spends a day in some non-place between town and countryside, has random encounters and watches stones skip over the surface of the river. Tatsunari Ota’s film explores a world without productivity and finds joy in idle time and playfulness.

Rei is unable to express her opinions well due to her introverted nature. Her time with her boyfriend, NAKAMURA, is calm but nothing passionate. One night, Rei strongly wishes that she could meet her real father, who was separated from her at an early age by her parents’ divorce. From that night onward, introverted Rei’s heart burns with an enduring passion. Through conversations with her mother, complicated memories, dreams and her reunion with her father, Rei’s thoughts about her family are gradually revealed.

As the cherry blossoms bloom in splendor during springtime, Ibuki, an art student living in Tokyo, visits Odawara city with her father. This is their first trip together since Ibuki left home. Odawara was once a memorable place she had visited with her late mother. As father and daughter explore Odawara, they gradually open up to each other. Ibuki carries a secret box in her hands.

Toru, a high schooler, decides to leave his grandmother's home in the mountains and moves in with his aunt. There he meets three sisters at his welcome party. On his way to his new home, he is struck by one of the sisters' beauty. A boy who spent his life quietly like a plant starts to take action on his own.

This is the question posited by director Nakamura Yutaro at the start of his latest film, a series of vignettes that bleed into each other. Memories? dreams? Whatever they are, they belong to highschooler Hikari who, along with a friend named Yujiro, get involved with an emotionally unstable man named Takaya. Flash-forward a decade or so and they are all 20-somethings bumbling around on New Year’s Eve night. Hikari has picked up an admirer, Kotaro, while Takaya is shacked up with a young woman named Anzu. A tumultuous night together leads to a quarrel and a truly bizarre New Year’s Day. It’s not a straightforward experience as we surf through these experiences and question whether they are imagined but the feeling of airy freedom and endless possibilities at the end is pleasant.

In the summer of 2001, Ryo Hagio, a high school student living in a country town by the sea, is spending his last summer vacation in high school with his classmates Manabu, Kosugi, and Hotta. One day, he meets Wang Jia-ling, a foreign exchange student from Taiwan who dreams of becoming a dolphin trainer. Ryo, who hates dolphins and the ocean, is at odds with Ling, but when he learns of her true feelings about coming to Japan, they begin to have a heart-to-heart talk...

Ohno Shiori is just an ordinary high school girl. One day, Umenokisaka Bella comes to her class as a transfer student. Bella is given the seat of the recently deceased Sasaki Kozue, a close friend of Shiori's that died in a tragic accident. Shiori notices that Bella has the same kaleidoscope key chain that her and Kozue also owned. Due to her personality, Bella soons becomes a victim of bullying in the classroom but there is something strange about her. What is the truth behind the relationship between Kozue and Bella? What is the truth behind Kozue's accidental death?