Viktor Shevchenko

In 1933, Welsh journalist Gareth Jones travels to Ukraine, where he experiences the horrors of a famine. Everywhere he goes he meets henchmen of the Soviet secret service who are determined to prevent news about the catastrophe from getting out. Stalin’s forced collectivisation of agriculture has resulted in misery and ruin—the policy is tantamount to mass murder.

Set by a beautiful river canyon in Western Ukraine, a pacifist community with unique religious beliefs, sees their peaceful way of life gradually distressed by regular floods and eventually an unexpected war.

A young college student and a group of friends find themselves victims of demons unwillingly released during a mishap at a prestiguous university. To reverse the curse and save themselves, they travel to the forbidden mystical forest in western Ukraine. There, they must locate the legendary Molfars that can help rid them of demonic possession and save each of them from certain death. Danger lurks in the forest and personality clashes add to the tension as the young students fight for survival.

When reformed ex-smuggler Pamfir returns home to his village on the Ukrainian border after working abroad for several years, he’s determined to earn an honest living and set a good example for his beloved teenage son Nazar. But in a town where corruption runs deep and crime and religion are inextricably linked, his plan is quickly thwarted when Nazar sets fire to the local church in a misguided effort to keep him at home. To pay for the damage, Pamfir must take on one last job for a crime syndicate operating a risky smuggling venture in a place where all the rules have changed.

Hanging out with friends, smoking a lot, spinning bottles and kissing, making mistakes, playing, refusing to accept, dreaming with open eyes - life as a teenager can be overwhelmingly beautiful and difficult at the same time. In her debut, the Ukrainian director composes a deeply emotional and multi-layered portrait of a generation whilst seamlessly flowing between the fictional and the documental.

This summer, Ksenia, along with her mother and sister, is forced to pick blueberries in a Kyiv forest to earn a living for the family. But she is distracted by waiting for her lover Misha. Flirting, they go deeper and deeper into the forest, unaware of the danger.

A 40-year-old loser named Isidoro at the request of his brother drives from Italy to mountainous Carpathian village in Ukraine with a coffin of a diseased Ukrainian worker, who died at a construction site in Italy.

Twenty-five-year-old Vadym earns a living recording and selling all kinds of different sounds; nevertheless, he’d rather exchange his life in Kyiv for a better future in far-flung Canada. Thus, when he gets a generous job offer which might help him realise his dream, he jumps at the chance; he soon sets off to record the sounds of animals indigenous to Ukraine and also a rare bird native to the Carpathians. The situation proves somewhat more complicated when Vadym’s companion on the trip turns out to be his mother… To the sounds of a synthesized music score, debuting Ukrainian director Antonio Lukich unfolds a visually creative road movie, in which he demonstrates a highly unusual talent for constructing tragicomic situations.