Leila Farzad

When her duties send her to an anomalous wormhole linked to a Kree revolutionary, Carol's powers become entangled with that of Jersey City super-fan Kamala Khan, aka Ms. Marvel, and Carol's estranged niece, now S.A.B.E.R. astronaut Captain Monica Rambeau. Together, this unlikely trio must team up and learn to work in concert to save the universe.

Bridget Jones navigates life as a widow and single mum with the help of her family, friends, and former lover, Daniel. Back to work and on the apps, she's pursued by a younger man and maybe – just maybe – her son's science teacher.

Famous movie actor Jay Kelly embarks on a journey of self-discovery, confronting both his past and present, accompanied by his devoted manager, Ron.

Isolated in a grand country manor, a reclusive artist spends a passionate and paranoid weekend with his ex-lover, an obsessive fan, and a potential muse. Hoping to spark a new wave of artistic brilliance over the course of a few tumultuous days, filled with chaos and revelation not all of them will make it out alive.

Two years after founding his own bank, local hero Dave Fishwick takes on the predatory payday lenders bringing misery to his small English town.

Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.

I Hate Suzie Too, the three-part anti-Christmas special, written by Lucy Prebble (Secret Diary of a Call Girl, The Effect, Succession) and Billie Piper (Doctor Who, Yerma, Rare Beasts), follows former child star Suzie Pickles, also played by Piper, as she attempts to rebuild her public image after losing her marriage, her agent and primary custody of her son in the wake of the photo-hacking scandal. Desperate for redemption, Suzie signs on to the chaotic reality dance competition Dance Crazee Xmas, where every performance becomes another battle for public approval.

Beset by problems at home and abroad, a capricious king is forced to relinquish his ‘hollow crown’. As his supporters abandon him and his power trickles away, Richard reflects with startling eloquence on the disintegration of his status and identity. Adjoa Andoh and Lynette Linton direct the first ever company of women of colour in a Shakespeare play on a major UK stage, in a post-Empire reflection on what it means to be British in the light of the Windrush anniversary and as we leave the European Union.