Directing
Ivars Tontegode
Born July 1, 1983 (age 43)
No biography available.
Known For
Mushroomers · 2013Mushroomers
★ 4.12013
MovieComedy
Peter is just another "peter", so very ordinary. He works in an office where colleagues make fun of him and the boss makes sexual advances. His sick mother harasses him at home. Bit by bit his life becomes completely unbearable. Once, by chance, Peter happens to try magic mushrooms and this adventure turns into a move towards a different life.
Anna LOL · 2024Anna LOL
★ 6.02024
MovieDrama
A coming-of-age drama about a teenage girl who lives through the break-up of her family and her friend’s suicide. The script is based on the diaries of a real high-school senior year student (also the scriptwriter of the film), who wrote about her experiences in 2018-2019.
Obsession · 2009Obsession
2009
MovieComedy
Peter is just another peter, so very ordinary. He works at the office where colleagues make fun of him, the boss makes sexual advances and the sick mother harasses him at home. Step by step his life becomes completely unbearable. Once by a chance Peter happens to try magic mushrooms and this adventure turns into new move towards a different life.
Actress in d'ArkActress in d'Ark
Movie
Short documentary fiction about the passion of an actress.
Knutifiction · 2017Knutifiction
★ 8.02017
MovieDocumentary
A film about a man who lives a parallel life to Soviet reality, and is both consciously and subconsciously a prickly and partially misunderstood citizen. He is poet Knuts Skujenieks, an exceptional personality not only in Latvia, but also within an international context, whose difficult struggle with the totalitarian regime reflects the true value of selfless work and unbending stance. The story, with its undercurrent of true humanity, allows a glimpse through Knuts Skujenieks’ life onto each of our fates.
Overman · 2026Overman
2026
Movie
Set in the emotional ruins of the post-Soviet space, this film follows a trans woman through her second year after transition. Haunted by family, silence, and the remnants of her former self, she begins to break free. Thailand becomes her place of rebirth — not escape, but transformation. The film reclaims Nietzsche’s concept of the Overman — not as a cold superhuman ideal, but as a fragile, feminine figure shedding skin through pain, love, and spiritual resistance.
Filmography
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