Mammadkamal Kazimov

After learning that his daughter is in love with a truck driver, corrupt Housing Office director tries to make use of his service in a last smuggle operation, then break his promise and marry her to someone else. This comedy is mainly about the dark sides of the Soviet bureucracy.

This lyrical psychological film is about true friendship. The characters in the film are contemporaries in of late 1970s Azerbaijan SSR with differing visions of the world, yet sharing true and lasting friendship.

A young man tells the dream he had about running away with the daughter of chief of police to his grandma. People spread and exaggerate rumors as if it was a real story until it reaches to the chief himself.

The film is about war in Garabagh and when we look at wounded solider we see our son, brother or father.

While looking for a job, a group of people end up in a private residence where they are forced to become dogs.

The film is about a young woman nursing her father, when things don't go to plan.

The film tells a story about non-democratic and non-legal social events in the country of Azerbaijan.

An old violinist thinks over his past life on the eve of the 80th birthday. His reflections result in looking for once composed but then forgotten melody. A chance meeting with dancer Rena takes him away to his lost love. He realizes that a person who has betrayed himself is doomed to tragic finale.

The film is dedicated to the memory of the great Azerbaijani poet Muhammad Fuzuli by the relic-gazalakh, and the lyric poet Aliaga Vahid. The poet's life is presented in chronological order. The authors do not clearly indicate the names of the people who covered Vahid. They tried to create a generalized artistic image using some of the master poet's masterpieces from his difficult life.

The mother-in-law, who has been neglected for a long time, decides to play a trick on her son-in-law and daughters and teach them a lesson. But this trick costs everyone dearly.

The film talks about countless crimes committed by the criminal group led by "Panjali Aslan" and eventually the destruction of this criminal group by law enforcement agencies.

After the novel of the same name of Yusif Samadoghlu. The film is about three intervals in time: the distant past, yesterday and today, about innocent victims, about repression, and conquest of different countries.

After World War II, a group of young “robbers” redistributes the wealth of the rich to the poor while protecting the honor of women, especially the wives and sisters of soldiers at the front. Though branded outlaws by the law, their criminal yet benevolent deeds win the tacit approval of the local community.

The film is about Gachag Nabi's heroism.

The events and conversations that took place in Uncle Hasan's canteen at the beginning of the last century bring to life the color of the era. Uncle Hasan and his waiter, Zarbali, become victims of the tricks of the "hungry guys" who come here. The guys, who enter the canteen hungry, trick him into not paying for the food after eating.

The movie reflects the ecological environment of Sumgayit. After the collapse of the Soviet power, the old problems of the "new era" still persist. Although it is not mentioned in the movie, the new generation of people living in this city, which is named as Sumgayit, especially near poisonous plants, are born crippled and sick. There is a wide range of symbolic expressions in the film and there are interesting dream scenes.