Daniel J. Clark

A young widow named Meg meets a woman who claims to communicate with the dead. What follows is a battle of wills, cycling through stages of tenderness and bitter exploitation, as each woman struggles for dominance in their increasingly toxic and unsustainable relationship. Through all of this, the ghost of Meg’s husband watches silently, with plans of his own…

Meet the growing, worldwide community of theorists who defend the belief that the Earth is flat while living in a society who vehemently rejects it.

Artist, activist, and single mother, Lydia Emily, defies a crippling diagnosis and unforgiving healthcare system in a film about one woman’s will to survive.

Three white male filmmakers meet for a long weekend to make a final attempt to salvage their ambitious, semi-fictional film about “reality.” However, holed up together in an empty room, their creative disagreements only escalate, and the dialogue becomes increasingly defensive and toxic. As the Hollywood film they imagined collapses, the three begin to wrestle each other—desperately, shamelessly—for control over the narrative about what poisoned their collaboration.

In 1985, Willem de Kooning’s “Woman-Ochre,” one of the most valuable paintings of the 20th century, vanished into the Arizona desert after being cut from its frame at the University of Arizona Museum of Art. 32 years later, the $160 million painting was found hanging in the home of Jerry and Rita Alter in rural New Mexico.

A mockumentary that follows two comedians, one an image-obsessed social climber in Los Angeles and the other a degenerate podcaster in Ohio, as their ironically similar egotism threatens to end their wildly different careers.

After his beloved cat disappears amidst a global pandemic, a lonely man turns to his neighbor for help. As isolation takes hold, their search becomes a surreal descent into loneliness, longing, and dimensional dissolution.

Inspired by the iconic 1970s’ franchise, this series examines unexplained phenomena from all over the world.