Nicolette Freeman

Four women bowlers on their way home to Pyramid Hill (population 550) from a tournament roll their car on a deserted road in rural Victoria. They are coping fairly well until the local men and emergency services start trying to help.

Early short film by Jane Campion.

Traffic is delayed on the edge of a roadwork site, but what are the council workers doing? A privileged encounter with a secret somber ritual of working men. This is the second in Andrew Kavanagh’s trilogy (after the successful "At The Formal’) exploring tribalism and ritual in contemporary society.

Suffering from a mysterious affliction, a young boy is taken to a secluded hospital by his fearful parents. Lloyd soon learns that more harm is being done than good.

Jackie is 38 years old. She lives with John and they have two small children. Once she wanted to be an opera singer. Once, she had a boyfriend called Paul who married someone else. Once she travelled overseas. In the sixties she was in love with Charlie. In the seventies she sang in a band. In the eighties she makes scones with the kids. In the process of (re)presenting an ordinary woman's life this film explores questions of identity, representation and truth.

Documentary using archival footage, newsreels and contemporary interviews with women of the WW2 Australian Women's Land Army.

Between March and October 2000, millions of people around the world took to the streets to denounce poverty and violence against women. The historic World March of Women was a bold initiative of the Québec Federation of Women and represented a turning point in global solidarity. Director Sophie Bissonnette invited five filmmakers from around the world to cover the march. She also asked each one to film an innovative project. Set against the backdrop of a song, 'A Score for Women's Voices' ends at the UN, where women deliver 5 million cards signed during the marches. Their goal? To change the world.

An animated documentary that revealingly examines a women s factory culture. Made by ex-factory workers the film juxtaposes still images (reminiscent of the automated processes of factory production) with the commentaries of women, in order to both document and problematise aspects of women's work in Australian industry.