Pijush Bandyopadhyay

Bengali Beauty

A demure medical student falls in love with a brash Bangladesh Radio deejay while listening to his World Music show during the revolutionary '70s.

Jesus '71

This patriotic Bengali movie by Nasiruddin Yusuf, based on Shahriar Kabir's story, depicts a pastor's involvement in the Independence war.

Meghla Akash

Guerrilla

Bilkis Banu lost her husband Hasan on the night of 25th March 1971. She tries to forget him and concentrate on the urban guerrilla movements of Dhaka with Altaf Mahmud, Shahadat, Mrs Khan and many more. But when spies and the razakars inform them, most of their people get arrested and Bilkis has to run for her life, towards her village.

Buno Haansh

Amal works as a security guard in a mall and is tempted by the world of wealth surrounding him. When a close friend introduces him to the underworld element, he becomes trapped in a web of greed, lust and crime.

The Burning Heart

Struggle of a man's life against luck

My Friend Rashed

The story of the Bangladesh Liberation War in 1971 as seen through the eyes of a young boy.

Amar Ache Jol

A teenager falls in love with her father's servant.

Koli 2.0

When the brash son of a local mafia boss falls for the drug addicted troublemaker Koli, all hell breaks loose.

Phool Nebo Na Ashru Nebo

Not found.

Shey: The Conversation

A man and a woman meet after a long unexplained separation. Gradually over the course of a strained and oblique conversation, the nature of their shared past is revealed. This film grew out of a casual conversation between feminist writer and filmmaker Shameem Akhter and Masud. When Shameem mentioned the plot of a feminist short story she had written, Masud immediately suggested it be made into a short film. Shameem herself plays the female role, while noted actor Pijush Bandhapadhyay plays the mysterious male visitor who turns up at her door. The theme of an independent working woman, supporting a family household, was new to Bangladesh cinema in the early 1990s. This reflected the changing face of a rapidly urbanizing society with a growing population of educated wage- earning women, and in some ways paralleled the developments of Satyajit Ray’s 1963 classic Mahanagar. In this sense Se was a pioneering work for Bangladesh in expressing the new feminist ethos of the 1990s generation.

Aami Shudhu Cheyechhi Tomay

Abhi (Ankush Hazra), son of a rich business man loves Bhoomika (Subhasree Ganguly) since childhood. Though people think him as a spoilt brat, but actually he is a good person by heart. He doesn't care what people think about him. He loves Bhoomika and can do anything for his love. However, Bhoomika does not like him. She joins a college in Darjeeling to pursue higher studies. Meanwhile, Abhi also takes admission in the same college in pursuit to win his love.

Kittonkhola

The film brings to light the lives of jatra artists and their struggles to make a living off the dying performing art.

Earthen Love

Khirmohon is an old man and a potter by profession. All his life, he has struggled to keep his head above water and now is the owner of his own pottery house and a banyan tree. His two sons Satten and Nikhil stay in the city and prefer urban life. They have no interest in their father's business and want to sell up his life's work for financial gain. The silver lining in Khirmohon's life is his granddaughter Poddo, who is an eye catching dusky beauty. They stay in their village house with another person named Boishakh, who was adopted by Khirmohon when he was just a mere child. Boishakh is a passionate character, who is loyal to Khirmohon and is more interested in keeping the pottery business afloat then Khirmohon's own sons. There is a spark between Poddo and Boishakh, but it is not expressed. The story moves forward with Boishakh trying to protect the business from going into ruins by unwanted invaders and village politics.

Adhiyar

The film is made about farmers life in Bangladesh. This has led to the struggle of the Farmers and the tortures and injustice of local high command and landlords on them. In 1946-1947, this movement was formed against the landlords and the British in protests against oppression and exploitation of long days.