Ben Caplan

A businessman, on his daily commute home, gets unwittingly caught up in a criminal conspiracy that threatens not only his life but the lives of those around him.

When yet another anniversary passes without a marriage proposal from her boyfriend, Anna decides to take action. Aware of a Celtic tradition that allows women to pop the question on Feb. 29, she plans to follow her lover to Dublin and ask him to marry her. Fate has other plans, however, and Anna winds up on the other side of the Emerald Isle with handsome, but surly, Declan -- an Irishman who may just lead Anna down the road to true love.

When a Russian mobster sets up a real estate scam that generates millions of pounds, various members of London's criminal underworld pursue their share of the fortune. Various shady characters, including Mr One-Two, Stella the accountant, and Johnny Quid, a druggie rock-star, try to claim their slice.

A lone drifter suffering from partial memory loss accepts a job to look after a psychologically troubled woman in an abandoned house on an isolated island.

Travis has just been released from prison and it quickly becomes apparent that much has changed while he’s been gone. While girlfriend Candice is on the up and auditioning to star in a Tina Turner musical, daughter Kenisha is struggling in school and her relationship with her mum is tense. So, when Travis buys Candice her dream dress for an audition, rather than smoothing over the family’s problems, it ends up creating even more. As secrets and desires left unsaid threaten to spill out, Travis is forced to re-examine who he is and how he wants to be perceived in the world.

Grown man, W, struggles to come to terms with the death of his domineering mother, only to discover that she's spending her dead existence very happily in a suburb of London.

Director Abigail Graham’s contemporary take on The Merchant of Venice shows Shakespeare’s disturbing tale in a new light. Shylock (Adrian Schiller) and Jessica (Eleanor Wyld) reclaim their stories in Shakespeare's Globe's ‘heart-wrenching’ (The Guardian) 2021 production, played by candlelight and filmed live in the Sam Wanamaker Playhouse.

A young actor and an angst-ridden city worker fight over a girl watched over by a disturbed chum. The play is concerned with three young men, Len, Pete and Mark, and the scene of action shifts back and forth between Len's house and Mark's. Sometimes all three come together, sometimes only two, and often Len is on stage alone. There are conversations and soliloquies filled with the brilliant convolutions of thought, the sudden flashes of truth which distinguish Pinter's unique style, with the mood ranging from calm introspection to explosive outpouring. Much of what is said hints at deeper thoughts left unspoken, and the sense of horror and alienation which often emerges is a searing indictment of our life and times. We meet, we talk, we tear at each other, but our insularity is seldom penetrated. We are together but alone, as though life were a mirror which reflects only our own image.