Dimitri Venkov

Dimitri Venkov’s Krisis is based on a Facebook discussion on December 8, 2013, the day on which pro-European demonstrators in Kiev started to demolish statues of Vladimir Lenin. The film reenacts debates between Russian and Ukrainian artists during the protests, revealing deep aesthetic, historical, and political divisions.

An anthropological study of a cargo cult in a fictitious self-marginalized commune, which existed next to the Moscow Ring Road - a highway that marks the boundaries of the Russian capital - and survived mainly on roadside trash. Although the road provided for their basic needs, the existence of the commune was extremely precarious and highly dependent on the roadway's fluctuations. This dependency led them to develop a cargo cult of the road.

Would it be correct to suggest that none of it happened?

An allegorical three-part film about three types of utopia

The Shining Will Come Crashing Down

The film is a trip to the planet Muscovy - an upside-down twin city of Moscow in space. As the title of the work suggests, the journey also takes us back in time. Gliding over the surface of the planet, we look down and see historic architectural styles fly by - the exuberant Socialist Classicism, aka Stalinist Empire, the austere and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem.

A family of British descent settled in the Russian countryside is investigating its grandfather's mysterious death. One small step for men, women, children, dogs, and pigs - one giant leap for humanity.

An immigrant in Istanbul, the Russian filmmaker finds himself caught between a rock and a hard place: on the one hand, his legal status becomes uncertain amid the turbulence of Turkish presidential elections, on the other hand, the crackdown on dissent in Russia makes his return impossible. In these circumstances he turns to the legacy of Moscow conceptualism, an art movement, which existed under the radar of Soviet authorities, to make a film that would convey his sentiment yet pass through the needle’s eye of censorship.