Ernestina Chinova

This interesting melodrama with a dash of political realism looks at the difficult adjustment to life in the city after a life in the countryside. Anna (Marianna Dimitrova) and her husband Ivan (Plamen Sirakov) move to the capital of Sofia in search of advancement. He works the day shift in a factory, and she works at night in a textile mill. That arrangement allows one of them to always be home with the children. Much to Anna's chagrin, a fellow worker develops a passion for her and almost drives a wedge between herself and her husband. Meanwhile, the owner of the villa they now share needs to use it again, so the two have to find an apartment. Worse yet, Anna's mother dies unexpectedly. But at least her death takes them back home and gives them a chance to re-examine their values before city life shreds them completely.

Friday night. On the weekend, five women will be able to think about themselves.

While hunting a cultured and vicious psychopath, detective Amaldi faces the physical and moral decay of his city as well as the ghosts of his past.

When a group of seismologists are taken prison, the forces that be know that there is only one team of rescuers to turn to--the highly elite Delta Force. Upon beginning this difficult mission to track down and save the hostages, the men on the Force are met with several surprises--surprises that lead them to think this may be one mission they cannot get out of.

A concert to celebrate Bulgaria joining the EU is being planned at the Embassy in London and it is the job of VARADIN, the new ambassador, to ensure the Queen attends. But with corrupt staff, criminal gangs operating out of the kitchen, falling in love with a stripper and a little misunderstanding with a PR firm that provides look-alike royalties - his simple task turns into a chaotic nightmare.

Elena's job is working on the percussion press 'Wagner' of 1933. This is a tragic comedy about the absurdity of one day in life, in which her dream comes true.

After the fall of the Berlin wall, now in his old age, the composer Edward Kazasyan discovers that his late wife, the singer Lia Ivanova, who survived communist labor camps, was forced to work for the secret services. Their dossiers in the State Security archives and her diary from childhood reveal the complicated fate of the singer, who strove the conquer the big stage while juggling a "second life" imposed on her by the system. Torn by doubts that his life was contrived and false, he once again relives their love and career in his loneliness, trying to find his place in this living puzzle.

Two very similar families are settling in two identical houses in a new fashionable neighborhood built near a complex of panel-apartment buildings. The couples are in their forties. The husbands are moderate professionals and the wives are housewives without children and with firmly fixed habits. Step by step they find out how similar they are and step by step they come to hate each other. The more they strive to be different and the more they fail, the stronger their malice and their lust to harm each other grow.