Dinindu Jagoda

A young woman and her family find their lives turned upside down when a series of unexpected and mysterious events begin unfolding around them, leading them into a situation far beyond anything they could have imagined.

The inspirational portrayal of Mother Teresa, a simple nun who became one of the most significant personalities of the 20th Century. Armed with a faith that could move mountains, Mother Teresa followed her calling to help the poor, the lepers, the dying and the abandoned children in the slums of Calcutta, challenging many authorities - including the church - along the way.

An embarrassing problem emerges in a quiet household somewhere in a province of Sri Lanka. The patriarch of a lovely family suddenly dies in front of the TV one fateful night. He experienced something soulfully romantic before his last breath and the most sensitive part of his deceased body still functions without pulse or blood pressure. His two grown sons and a mourning mother are eager to bend down the standing organ to avoid shameful reactions at the funeral.

Krish is a married young man who starts experiencing terrorizing dreams during episodes of sleep paralysis. Trouble beckons when the incidents from his paralysis begin to come true as he gets entrapped in a chilling, dark hallucination.

‘U-Turn’ follows the story of a reporter; Raveena who gets unvoluntary involved in a murder case conducted by the police as she investigates accidents on a flyover.

In the gentrifying neighborhoods of Colombo, an adolescent girl copes with her insecurities by seeking solace in fantasy.

Two men, a police lifeguard and a server, share a forbidden connection in a crisis-ravaged tropical paradise.

Heena Hoyana Samanallu (Dreaming Butterflies) (Sinhalese: හීන හොයන සමනල්ලු) is a 2017 Sri Lankan Sinhala family drama film directed by Rohan Perera and produced by Sunil T Fernando for Sunil T Films. Shehan, who belongs to a higher middle class family is the only child of Madhavi (Dilhani Ekanayake) and Adithya (Saumya Liyanage). Their lives changed unexpectedly when Shehan is diagnosed with leukemia.

A pick-up truck driver leaves Kathmandu airport for a two-day drive with a delivery to a remote mountain village, while a solitary traveler slowly makes his way, wheeling a small red suitcase toward the same village on foot.

Pablo arrives in British Ceylon from Burma to flee a traumatic relationship that had changed from love into passionate obsession. He notices a young pariah woman who empties his outhouse every morning. To Pablo she appears divine. In one morning, he takes her hand and leads her into his bed. Unable to believe or accept her bizarre fate, she remains passive throughout the series of events that unfold thereafter.

Vaishnavee (The Goddess), (Sinhalese: වෛෂ්ණාවී) is a 2018 Sri Lankan Sinhala drama thriller film directed by veteran director Sumitra Peries and produced by Mano Nanayakkara. 1930’s, Sri Lanka. Partly a compelling domestic drama, and a demonic love story, the narrative follows a puppet-maker who’s set to be married to a young girl. Unfortunately, the girl elopes with her secret lover. Devastated, the grieving puppet-maker ends up carving a puppet in her likeness, which eventually comes to life, setting in motion a fantastical chain of events.

Abasiri’s wife Suddhi abandoned him and the village a long time ago. Now, Abasiri and his young friend Mani are summoned to identify a woman who got raped and murdered in the city. Hiding his personal distress after the shocking discovery that it’s his own wife, Abasiri embarks on a strange journey with a coffin heading through captivatingly beautiful hill stations towards the village where embarrassing rumours of Suddhi’s demise are already spreading.

The day Parami appeared on Vimukthi’s eyes he found out that she is the one who he needed to his life. Later, a day with a tension mood these two soul mates get into a train with tears on their faces to ride their last train journey together. But Vimukthi’s family is strongly against to approve Parami as their daughter in law. The reason for disapproving Parami is her cast and status.

The film follows Dr. Manorani Saravanamuttu's relentless pursuit of justice after the tragic abduction and murder of her son, Richard de Zoysa, a journalist, writer, and human rights activist, in 1990.

The calm, dull marriage of a young woman and her much older husband is disturbed when the man's younger brother arrives at their home.

Rangana is a young musician from the working classes who dreams big. His aim is to rise above his station, even as he toils the low-rent barroom circuit with his band, playing night after night to under-appreciative crowds to make a frugal living. Tanya is the love of his life, the woman whom all this will be worth achieving. She is just finishing school. As he toils through the nights, his need of a mode of transport - a motor bicycle - becomes more and more apparent. He dreams of one day collecting enough money to buy one, finally buying a second hand motorbike despite his mother's great protest. He now wants to taste his new found freedom with his beloved Tanya, along the city streets of Colombo. As Rangana and Tanya embark on this motorbike journey across the city, questions about their present, challenges to their future and the very essence of their lives is brought to the fore, in "Motor Bicycle."

In poverty-ravaged Calcutta, Sister Teresa, a teacher at a boarding school for wealthy girls, feels God's call to leave everything behind to devote herself to those most in need. With determination, she defies church rules and plunges into the crowded streets, bringing comfort to the sick and marginalized, thus beginning her extraordinary mission of charity.