Benito Raúl Ibarra

Charrito is the villain actor in a movie, which is filmed in a town, that only produces headaches to the director, for being extremely distracted

A tap dancing exterminator is mistaken for an out-of-town hit man by two rival gangs, each hoping to acquire his services.

Maria is a young orphan who lives with her wealthy aunt. Maria sings in a cocktail bar with his friends, who form a rock band, and enjoy the night with them. One of his friends, Ernesto, is in love with her, though she does not seem to feel the same about him. In fact, multiple existential doubts and feel a strange emptiness in his life suddenly drive to enter a convent as a novice, breaking Ernestos' heart. However, with her cheerlul character, open and rebellious, not appear to conform to life in the cloister, and especially have problems with the novices director , who often punished for trying to take the right path. In the convent, which also functions as children's hospital, she meets a doctor with which it takes quite right for the contrast between his two characters, but his way with love and mutual respect.

A lawyer trying to fix everyone's problems, instead causes problems, which always end up in funny situations.

Struggling ghetto family in Mexico City; Pops decide he'll go to USA and earn money so they can get their lives back in order.

is the continuation of the Mexican film El Chanfle (1979) Chespirito, which aired in theaters in 1982. At that time the cast of the neighborhood (with some absences: the Carlos Villagran, who decided not to continue working with Roberto Gomez Bolaños by a personal decision, he left in 1979. Ramon Valdez next year decides to accompany him, also leaving to work with Chespirito. returned with him in 1981, but a health problem that was detected in the early 80's, was prevented from participating in this film), it left room for the story of a lowly stagehand football team that achieves his dream beside his wife Tere, of having a child. In this film, the situation is a little different.

Young Guadalupe and her boyfriend love music. She plays flute and he plays clarinet. On Sundays, after attending mass, they give concerts in their parishes. Salome is a young girl who dances salsa every night. All the men who frequent the room where she dances fall in love with her, especially Raúl, a mechanic convinced that his love is impossible, but it turns out that Guadalupe and Salomé are the same person and their love is realized, in spite of the clarinetist.

Raimundo, a wealthy man, died of a heart attack. The notary reads out Raimundo's will, leaving all his estate and companies to the widow, Luz, with the surprising clause that she will remain without a man for the period of two years, during which his trusted attorney, Arturo, will be in possession of the whole patrimony. Luz being much younger than her late husband, resents this clause that will keep her captive of the dead man for so long. Her attempts to seek release in the night spots of the town do not prove satisfying. Lucia, the maid, starts an extortion scheme against the widow, menacing to denounce the murder of Raimundo with venom, as Luz and Arturo were lovers. The faithful cook and the gardener are dismissed and Lucía literally takes her employer's image, clothes, and manners - forcing Luz to play humbly to her (progressively insane) demands.