Jeannine Gagné

Production

Jeannine Gagné

No biography available.

Known For

Aube urbaineAube urbaine · 1995
Aube urbaine
1995
MovieDocumentary
This short documentary chronicles the everyday life of the city's residents. We hear testimonials from citizens set against black-and-white images of life downtown.
Le dernier souffle, au cœur de l'Hôtel-Dieu de MontréalLe dernier souffle, au cœur de l'Hôtel-Dieu de Montréal · 2017
Le dernier souffle, au cœur de l'Hôtel-Dieu de Montréal
2017
MovieDocumentary
Roger Toupin, épicier variétéRoger Toupin, épicier variété · 2003
Roger Toupin, épicier variété
7.52003
MovieDocumentary
At the heart of the Plateau Mont-Royal, Roger Toupin owns a corner grocer that has become an impromptu social club frequented by people who belong to a way of life that is fast disappearing. The film captures the touching and revealing last moments of this unique place.
Art in ActionArt in Action · 2009
Art in Action
2009
MovieDocumentary
Art in Action is a portrait of two provocative Montreal artists, Annie Roy and Pierre Allard whose urban installations sound the alarm concerning important social issues.
My Father's StudioMy Father's Studio · 2008
My Father's Studio
2008
MovieDocumentary
In November 2001, Quebec Painter Edmund Alleyn (1931-2004) agreed to be filmed in his Montreal studio by his daughter, filmmaker Jennifer Alleyn. There, something unexpected happened : an authentic encounter, with no beating around the bush, no mask. From a few existential questions –about life, painting, death- thruth emerged. The artist died of cancer in December 2004 before Jennifer could film him again. After inheriting his studio, she found herself in this sacred space, still imbued with the presence and imagination of her father. Her film is an attempt to prolong the dialogue, to find the missing fragments of her father’s life. Edmund Alleyn was an intense and complex man of integrity who left his mark on Canadian art history.
Others' GoldOthers' Gold · 2012
Others' Gold
9.02012
MovieDocumentary
The arrival of the mining company Osisko creates a lot of excitement in Malartic, a small community of 3600 souls in Quebec, Canada. Faced with the implacable Mining Act, which prioritizes the right to exploit subsoil resources rather than the right to property, many families and seniors need to write off certain elements of their heritage plus a part of their lifestyle to make room for the largest open-pit gold mine in Canada. The characters in Others' Gold experience in their own way this major change that will affect their lives and urban environment.
Waterfront DreamsWaterfront Dreams · 2002
Waterfront Dreams
8.02002
MovieDramaRomance
A bittersweet tale about a small group of men and women whose forest adventures trigger memories of childhood and past loves. A harsh fantasy, wherein it is hard to tell whether the characters are living in their dreams, or dreaming away their lives.
Gilles Carle ou l'indomptable imaginaireGilles Carle ou l'indomptable imaginaire · 2005
Gilles Carle ou l'indomptable imaginaire
2005
MovieDocumentary
Gilles Carle, the prolific director of such movies as La vraie nature de Bernadette and Maria Chapdelaine, has been struggling against Parkinsons disease with dignity for about fifteen years. Based on Carles last script completed in 2000, entitled 'Mona MC Gill et son vieux père malade', Charles Binamés documentary, which took slightly over two years to film, gives us a friendly, penetrating look of a brave, lucid creator confronted with suffering and the perspective of death. Although the subject is grave, we see a stong will to live and to create. A movie shrouded in all the light and love of Chloé Ste-Marie, the famous directors companion of 25 years.

Filmography

Sort
My Father's StudioMy Father's Studio · 2008
My Father's Studio
2008
MovieDocumentary
In November 2001, Quebec Painter Edmund Alleyn (1931-2004) agreed to be filmed in his Montreal studio by his daughter, filmmaker Jennifer Alleyn. There, something unexpected happened : an authentic encounter, with no beating around the bush, no mask. From a few existential questions –about life, painting, death- thruth emerged. The artist died of cancer in December 2004 before Jennifer could film him again. After inheriting his studio, she found herself in this sacred space, still imbued with the presence and imagination of her father. Her film is an attempt to prolong the dialogue, to find the missing fragments of her father’s life. Edmund Alleyn was an intense and complex man of integrity who left his mark on Canadian art history.

Producer