Philip Lennard

Tells the story of Mary Tudor and her troubled path to true love. Henry VIII, for political reasons, determines to wed her to the King of France. She tries to flee to America with her love but is captured when she is "un-hatted" on board ship. In return for her consent to the marriage with France, Henry agrees to let her choose her second husband. When King Louis of France dies, Mary is kidnaped by the Duke of Buckingham. He tries to force her to marry him but she is rescued by her love in an exciting battle on the beach.

An aging actress and socialite, Jessica Medlicott has ended her engagement with a younger man and is now being sued by her former fiancé. Esteemed barrister Sir Arthur Glanville-Jones is assigned to represent Jessica in the lawsuit, and he also happens to be an old suitor of hers from decades earlier. While Jessica claims not to remember him, and Arthur still smarts from her earlier rejection, the two form a close bond during the case.

Upstairs: the wealthy, aristocratic Bellamys. Downstairs: their loyal and lively servants. For nearly 30 years, they share a fashionable townhouse at 165 Eaton Place in London’s posh Belgravia neighborhood, surviving social change, political upheaval, scandals, and the horrors of the First World War.

The Adventures of Sir Lancelot is a British television series first broadcast in 1956, produced by Sapphire Films for ITC Entertainment and screened on the ITV network. The series starred William Russell as the eponymous Sir Lancelot, a Knight of the Round Table in the time of King Arthur at Camelot.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.