Roberto Bianchi

Marquise is a drama about the rise and fall of a beauteous actress. As cheerfully portrayed by Sophie Marceau, the eponymous heroine is an engagingly ribald, but perhaps rather too modern, character. She rises from an impoverished background to become a favourite of the Sun King, Louis XIV, and the mistress of the celebrated Racine, who wrote roles especially for her; but her fate, in the end, is a tragic one.

Leftist radical-turned-terrorist Giorgio—hiding out in Latin America since the 1970s—turns himself in as soon as the Berlin Wall falls. Wishing to lead a comfortable, bourgeois life in his native Italy, he cuts a deal with a dirty cop, getting his sentence reduced in return for ratting former comrades out. Once released, Giorgio obsessively pursues his dream of becoming an upright citizen, but his old police aquaintance keeps dragging him down...

An isolated villa, a family just like the others. Michele has remarried beautiful Damiana, and lives with her and her daughter Fiore, a seductive teen with whom he has an intricate relationship. In the middle of the night, Sergio, an ex-con, bursts in the villa and abducts the family. his mission: retrieve and bring back to Caligola, the man who hired him, some important documents, now seeminlgy buried somewhere in the greenhouse near the house.

The Tuccis, a close-knit family of country bumpkins, become millionaires overnight. When word gets out, nagging neighbors and acquaintances force them to leave for the big city to start anew—and openly flaunt their newfound wealth. Soon they'll realize they ain't got the faintest idea how today's upper classes actually live.

After their rags-to-riches-to-rags-to-riches story, the Tuccis exploit a 19th-century legal loophole to turn their hometown into a tax haven.

Umberto, Lucia and Corrado discover that their co-worker and friend Umberto is terminally ill, but they can't bring themselves to tell him. They decide instead to organize him an unforgettable holiday trip to the South.

Superintendent Chessari is sent to run a small police station on the outskirts of Rome - a temporary posting in a difficult area, with not much backing and very few staff. His deputy, Lorenzo Corsi, is a youngster just out of the Academy, full of enthusiasm and high principles which clash with the corrupt reality of the streets and the attitude of his colleagues. The small police station seems like an outlying frontier post, a sort of backwater where recruits and hot-heads are assigned to rot. Chessari wants a quiet life, and all he does is set up a few routine operations; following suspects and tapping phones. He tries to avoid making waves that might upset his plans for career advancement. His men, however, are a bunch of loose canons, who are not intimidated by the rules or regulations imposed upon them and at times risk crossing the line of legality.

Mario Cavallaro is 50 and lives in the same district of always in Milano and fears changes until arrives Oba, a Senegalese seller of socks so he decides to kidnap Oba and take him back to Senegal.