Marianna Mokshina

Mom and Dad have just moved into a new house and are preparing for their Baby daughter's first birthday. Balancing between work and family, Dad buys a gift in an unusual store without even looking into the box. And there are small animated toys — Malyshariki. While the parents are preparing for the holiday, the little ones get out of the box and go in search of their own house.

An extra-class thief Max steals a unique ruby, which is going to be taken out of the country. To do this, he hides a jewel inside a teddy bear named Boom, a popular children's toy. But everything does not go according to plan, when the bear accidentally enters the toy store, and the ruby turns out to be magical and revives all its inhabitants. Max has to find Boom and return the ruby. The hunt begins!

A 15-year old Vika has to grow up. Only yesterday she was just a teenager and now she’s a mom. Catching sidelong scowls of adults, being mocked by peers, unbearable responsibility – it seems like the entire world is against her and Vika is all by herself. More truly, she has a child now, she’s not all alone.

fell into the belly of a snake And spent the night without a dream of coming back. If serpent chose to spit what’s left of me Then at the break of dawn what will I be?

Someone's husband is washing clothes, someone is vacuuming, someone is reflecting. And what is yours capable of?

A musical retro drama. The story of the heroes of the film "Everyone is Dancing!" is inspired by the poetry of Leningrad lyricists of the 50s and 60s and partly by the motives of Fazil Iskander's story "Retribution". The film tells about the Ligovka district of St. Petersburg, known to every resident of St. Petersburg as a place where punks live.

A woman confronts increasingly eccentric officials to process her documents. Little by little, she is consumed by the nonsensical bureaucratic system.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?