Everlane Moraes

On the stage of a destroyed theater, we saw a play in which Elizabeth, Mercedes and Crisalida, three black women at different stages of life, relive everything they suffered from the interpretation of their own conflicts in the form of inner monologues.

Janaína is a black screenwriter embarking on a new audiovisual project. She meets the rest of the team, where all of whom are white, on a farm. Pedro, the leader of the script room, disappears. Janaína investigates and makes unimaginable discoveries.

Frightened by the routine of marriage, a young couple of modest origin thinks they can revive the flame of their passion through new sexual experiences. Regrettably, the confrontation with their own taboos is going to complicate their relation, plunging them into the most absurd situations unless no fantasy can come true. The inevitable intimate revelations, which are made in the course of this exposure, are going to push the couple on the edge of the abyss.

In the dense night, when the moon lifts the tide, beings trapped in the daily life of water scarcity, they are hypnotized by the powers of Yemaya, the goddess of the sea.

The documentary "Caixa D'água: Qui-lombo is this?" It reports, through testimonies from former residents and photographic collections, the importance in the cultural and historical scope of the Getúlio Vargas neighborhood located in Aracaju, capital of Sergipe. Emphasis is placed on black culture and the presence of black slaves and their descendants, with the rescue of issues related to their origin, orality, geographical location and awareness of their racial identity, showing that, although this community exists in an urban area, it still maintains many aspects of the quilombo life of the former black slaves in Brazil.