Walter Cornelis

'Waar de vogelstjes hoesten' is a rare, satirical fable presented as a fantasy musical. The film tells the surreal love story of a flower girl and a scarecrow who leave their rural home for the big city. Upon arrival, they quickly become corrupted by industrial capitalism and victims of their own growing greed. Featuring unique choreography by Lydia Chagoll, this experimental production serves as a powerful artistic critique. It explicitly warns against the degradation of the environment and the spiritual pollution of modern human society.

The movie made after the hit series "De Kollega's" starring the same characters, but rather tragicomic. When November 11, an official holiday (Armistice), falls on a Tuesday, the public service often gets an extra day off on the preceding Monday, but only after a formal ministerial decision, and this time it gets all the way trough the hierarchy to the right office- and then isn't read, so all the colleagues turn up, only to be told they should have stayed at home. It gets worse: works in progress and clumsiness end up blocking the way out both by lift and staircase, so they are stuck on their floor, apparently without a phone, while there's nobody outside who can hear and rescue them. Forced to keep their conversation going, some secrets get unearthed, and it's not a very pretty picture they got of each-other.

The film describes the first working day of a twelve-year-old girl, shortly after the turn of the century. After a miserable childhood in a proletarian family, where she was mother to five toddlers, the sensitive girl follows in the footsteps of her parents and seventeen-year-old sister and sets off for the brickworks. The girl bravely defends herself at work, enduring the boys' bullying without tears, but when the day comes to an end, the foreman tells her that she must go to Krevelt, the boss, to be registered.

A Flemish bourgeois family in 1920 is dominated by three wealthy aunts who constantly threaten to disinherit them. When their daughter Eggers falls in love with the gentleman farmer Flack, a bon vivant, the aunts want to quell this passion by any means necessary.

Leontientje, the Parisian niece of an East Flemish farming family, comes to stay. Aunt Zeunia is dying and has asked for her. Her visit completely disrupts life on the farm. The men fight for her attention, and the city girl is delighted by every bit of nature: 'Comme c'est beau!'. Her Parisian manners—two kisses for everyone—drive the farmer's wife up the wall: "All that fuss!" But the youngest farmer starts dreaming...

RIP was about the funeral company Vingerhoets. This business is losing its paterfamilias and boss. The widow Victorine Vingerhoets and her nephew, Willie Haezevoets, who live at home, have to take over the business and keep it going. Willie is patronized as a son and doesn't feel like going through life as an undertaker because he is desperately looking for a wife. The input of friend of the house Raymond van Derre (also known as Raymondke) often ensured that things never went the way they should.