Michalis Ikonomou

A spark on a Friday can lead to a sizzling weekend fling, but what happens when you get to the inevitable Monday?

Nine frustrated young architects in an equally frustrated city. A comedy about sexuality, Athens and modern Greeks. Iasonas arrives in Athens starting his new ambitious career as “architects’ guide”. His group consists of international students of architecture, finishing their Erasmus in Thessaloniki. Soon Iasonas faces the contradicting wishes of the students who prefer a day-long coffee or a visit to a graveyard than a guide to the Acropolis. Meanwhile, he meets back with his once (more than just a) best friend Mirsini. Trapped between a friend who progressively sees him less and less as a friend and a group that sees him less and less as a guide, Iasonas will have to give an answer to all his personal questions regarding his sexuality and his career.

Trying to overcome his childhood injuries, Christos-Raphael resorts to various solutions. He does group self-improvement exercises, buys his favorite car, builds the house of his dreams, with hidden lighting and a bathroom for the guests. But when the right time comes, he understands how he becomes himself, all that he hid so desperately under the carpet for so many years.

Exiled unjustly, convicted without trial, slandered without cause. Man of God depicts the trials and tribulations of Saint Nektarios of Aegina, as he bears the unjust hatred of his peers while preaching the Word of God.

While having a day-long swim at Athens’ queer beach, best friends Demosthenes and Nikitas recall the events of a recent summer in the prospect of turning them into a screenplay for Nikitas’ feature debut.

In a near-future world ravaged by environmental disaster and a deadly virus, Lina carries her infected teenage son, Aris, to a retired doctor hoping he will be able to cure him. But Aris’s infection proves extremely aggressive and Lina’s love for her son is tested as she watches him transforming into a different being.

It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.

A 30-something failed businessman moves into his grandpa's house, the defunct WW2 veteran. His quest to live up to his legacy, will redefine both the family hero and himself.