Vera Moura

Lisbon, 1980s, Rosa, a woman joins a group of young people disappointed at the post-Revolutionary Portugal. Part of a far-left clandestine armed organization, they share political views and a daily life that makes them grow closer. But their idealism collides head-on with a changing country and a large-scale police operation targeting them. Fleeing on a road with no return and no way forward, their existence is made up of bank robberies, bombs, friendships, prison, love and death. Trapped, their only choice is to keep on the run until they get arrested or killed.

When the hotel where workaholic Catarina works is sold, she needs to show her skills to manage unprofessional staff, look after eccentric guests and deal with ghosts from the past, which are brought back by the visit of an unexpected friend.

1970 something. As the end of an era of repression approaches, a bourgeois family still in its bubble of power spends its vacation in a country house. The teenage cousins spend their days in indolence, interrupted by fits of hysteria. It will only take the introduction of an outside element for violence to erupt.

PT: Uma jovem jornalista decide entrevistar o misterioso dono de uma loja de antiguidades local sobre o fenômeno Y2K. No entanto, ao entrar na loja, percebe que esta não segue as regras do espaço e do tempo. Objetos de diferentes épocas coexistem, e o enigmático antiquário parece saber mais do que deveria. À medida que a conversa avança, a realidade começa a distorcer, levando-a a questionar se está apenas a reportar uma história ou a tornar-se parte de algo muito maior. EN: A young journalist sets out to interview the mysterious owner of a local antique shop about the Y2K phenomenon. However, as she steps inside, she begins to sense that the shop is not bound by space or time. Objects from different eras coexist, and the enigmatic shopkeeper seems to know more than he should. As the conversation unfolds, reality bends, forcing her to question whether she is merely reporting a story or becoming part of something far greater.

The film tells us how university vacations changed our protagonist's life. The vacations took him home, as they did every year, but that year he was overcome by the vertigo of passion, culminating in a marriage proposal. Everything turns out to be ephemeral, misleading, where the betrayal of his closest friend may, after all, stem solely from his characteristic recklessness. But the reasons don't matter, what matters are the actions and their interpretation by each of the characters, which lead to the supreme act of love... and revenge.

In 1918, Maria Adelaide Coelho da Cunha, heiress and owner of the Diário de Notícias, leaves the social, cultural and family luxury in which she lives to escape with a petty chauffeur, 26 years younger.

In Victorian London lives a man of adventurous spirit and great wit, Charles Augustus Howell, art agent, art dealer, conspirator and master of blackmail.

Winter, Friday. A group of young university students leave for a weekend in São João da Cruz to celebrate their promotion to the prestigious Academic Life Association (AVA). The young people's fun turns to terror when, at night, on Praia da Cruz beach, a hazing ritual is taken to the extreme.